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  <titleInfo>
    <title>Woman on Her Own, False Gods and The Red Robe</title>
    <subTitle>Three Plays By Brieux</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Brieux, Eugène</namePart>
    <namePart type="date">1858-1932</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Fagan, James Bernard</namePart>
    <namePart type="date">1873-1933</namePart>
  </name>
  <name type="personal">
    <namePart>Miall, Bernard</namePart>
    <namePart type="date">1876-1953</namePart>
  </name>
  <name type="personal">
    <namePart>Shaw, Charlotte Frances</namePart>
    <namePart type="date">1857-1943</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
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    <dateIssued encoding="marc">2008</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">en</languageTerm>
  </language>
  <physicalDescription>
    <extent>1 online resource : multiple file formats</extent>
  </physicalDescription>
  <abstract>"Woman on Her Own, False Gods and The Red Robe" by Eugène Brieux is a collection of three plays written in the early 20th century. The works examine themes of women's independence, societal expectations, and the moral dilemmas faced by individuals, particularly within the context of marriage and work. The opening play focuses on the character Thérèse, a young woman navigating her newfound independence in a world that challenges traditional gender roles.  At the start of "Woman on Her Own," we are introduced to Thérèse, an aspiring actress engaged in a performance amidst personal turmoil. Her godparents, Madame and Monsieur Guéret, are grappling with financial ruin while trying to shield her from the harsh realities of their situation. Thérèse has recently learned of her own financial misfortune, which impacts her engagement to René, a young man concerned about his family's disapproval. As she contemplates her future, Thérèse expresses a strong desire for independence and self-sufficiency, ultimately deciding to pursue a career in writing rather than conform to societal expectations. The opening sets the stage for her struggle to assert her identity in a rapidly changing world, offering a glimpse into the complex dynamics of love, ambition, and the quest for personal agency. (This is an automatically generated summary.)</abstract>
  <note>Translations of: La femme seule, La foi, La robe rouge.</note>
  <note>Release date is 2008-11-08</note>
  <note>Produced by Charles Aldarondo, Josephine Paolucci and the
Online Distributed Proofreading Team at http://www.pgdp.net.</note>
  <note>Original publication data not identified</note>
  <subject>
    <topic>French drama</topic>
  </subject>
  <classification authority="lcc">PQ</classification>
  <relatedItem type="original">
    <note>Original publication data not identified</note>
  </relatedItem>
  <identifier type="lccn">16014122</identifier>
  <identifier type="uri">https://www.gutenberg.org/ebooks/27201</identifier>
  <location>
    <url>https://www.gutenberg.org/ebooks/27201</url>
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    <recordChangeDate encoding="iso8601">20260610133624.0</recordChangeDate>
    <recordIdentifier source="UtSlPG">27201</recordIdentifier>
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