02941cam a22003373u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000070011910000480012624500250017426400510019930000470025033600260029733700260032333800360034950000310038550505490041650801270096552013620109253400450245465300250249965300190252485600430254399900170258627246UtSlPG20260610133625.0mcr n260607r2008||||utu|||||o|||||||||||||| d  a22011695  aUtSlPG 7aen2iso639-1 4aPR1 aTomlinson, H. M.q(Henry Major),d1873-195810aWaiting for Daylight 1aSalt Lake City, UT :bProject Gutenberg,c2008  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2008-11-120 aIn Ypres -- A raid night -- Islands -- Travel books -- Signs of spring -- Prose writing -- The modern mind -- Magazines -- The Marne -- Carlyle -- Holiday reading -- An autumn morning -- News from the front -- Authors and soldiers -- Waiting for daylight -- The nobodies -- Bookworms -- Sailor language -- Illusions -- Figure-heads -- Economics -- Old sunlight -- Ruskin -- The reward of virtue -- Great statesmen -- Joy -- The real thing -- Literary critics -- The south downs -- Kipling -- A Devon estuary -- Barbellion -- Breaking the spell.  aProduced by Susan Skinner, Peter Vachuska, Chuck Greif and
the Online Distributed Proofreading Team at
http://www.pgdp.net  a"Waiting for Daylight" by H. M. Tomlinson is a novel written in the early 20th century, likely around the time of World War I. The story explores the existential reflections and emotional turmoil of its protagonist, who grapples with the absurdities and tragedies of war, particularly during his return to familiar settings that now feel estranged and haunted by memories of conflict. Through vivid imagery and inner monologues, the book captures the profound disconnection felt by those who have lived through the horrors of warfare.  The opening of the novel introduces a bleak atmosphere in Ypres during July 1915, as the narrator observes the ruins of the city, evoking a sense of isolation and hopelessness. Amid the backdrop of war, the narrator encounters a soldier who provides a brief respite from the chaos, leading to reflections on the nature of existence and the futility of war. The narrative moves from the intense cacophony of the battlefield to the soft, melancholic realization of a world transformed by conflict, indicating the deep psychological impacts on both soldiers and civilians. The tone invites readers to contemplate the broader implications of conflict on personal identity and societal norms as they wait for the elusive promise of daylight—or peace—after the darkness of war. (This is an automatically generated summary.)  nOriginal publication data not identified  aWorld War, 1914-1918  aEnglish essays40uhttps://www.gutenberg.org/ebooks/27246  c68155d68155