02071cam a22003133u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000310011324500150014426400510015930000470021033600260025733700260028333800360030950000310034550800310037652012080040753400450161565300170166070000200167785600430169799900170174027627UtSlPG20260610133630.0mcr n260607r2008||||utu|||||o|||||||||||||| d  aUtSlPG 7afr2iso639-1 4aPQ1 aDu Veuzit, Max,d1886-195213aLe Sentier 1aSalt Lake City, UT :bProject Gutenberg,c2008  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2008-12-25  aProduced by Daniel Fromont  a"Le Sentier" by Max Du Veuzit and Robert Nunès is a three-act play written in the early 20th century. The work centers around the life of Andrée, an artist struggling to navigate her relationships and societal expectations, particularly in the context of her unconventional living situation with Pierre Belval, which raises eyebrows in their community. The play seems to delve into themes of love, freedom, and the criticism of traditional marriage.  The opening of the play introduces us to an artist's studio where Andrée is painting and interacting with her model and friends, including Loret and Paul Rouss. Their playful banter touches on their personal lives and the precarious nature of relationships, emphasizing Andrée's past marriage and her apprehension toward the institution of marriage itself. As the discussion evolves, it becomes clear that Andrée has a complicated relationship with Pierre Belval, who is expected to arrive soon. The conversation foreshadows the tension surrounding their living situation, which defies societal norms and ultimately leads to gossip and criticism, setting the stage for conflict later in the play. (This is an automatically generated summary.)  nOriginal publication data not identified  aFrench drama1 aNunès, Robert40uhttps://www.gutenberg.org/ebooks/27627  c68536d68536