02100cam a22003013u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000430011324500150015626400510017130000470022233600260026933700260029533800360032150000310035750802360038852010510062453400450167565300180172085600430173899900170178128368UtSlPG20260610133640.0mcr n260607r2009||||utu|||||o|||||||||||||| d  aUtSlPG 7ait2iso639-1 4aPQ1 aPorta, Giambattista della,d1535?-161513aLa sorella 1aSalt Lake City, UT :bProject Gutenberg,c2009  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2009-03-20  aProduced by Claudio Paganelli and the Online Distributed Proofreading Team at http://www.pgdp.net (Images generously made available by Editore Laterza and the Biblioteca Italiana at http://www.bibliotecaitaliana.it/ScrittoriItalia)  a"La sorella" by Giambattista della Porta is a comedic play written in the early 17th century. The story unfolds in Nola, revolving around romantic entanglements, complicated relationships, and the schemes of a range of characters, including the young Attilio, his servant Trinca, and other various figures caught up in love and deception.  At the start of the play, we are introduced to Attilio and his servant Trinca, who discuss Attilio’s impending marriage to Sulpizia, which causes him great distress. The opening scenes highlight the tumultuous emotions surrounding romantic relationships as Attilio expresses his anxiety over both his upcoming marriage and his love for Cleria. Other characters, including the lovesick Erotico and the scheming Balia, further complicate matters as they introduce themes of desire, jealousy, and trickery. These dynamics set up a stage filled with interpersonal conflicts, showcasing a blend of humor, tension, and the human experience in matters of the heart. (This is an automatically generated summary.)  nOriginal publication data not identified  aItalian drama40uhttps://www.gutenberg.org/ebooks/28368  c69277d69277