TY  - BOOK
AU  - Echard,Lawrence
AU  - Barnard,John
TI  - Prefaces to Terence's Comedies and Plautus's Comedies (1694)
AV  - PA 
PY  - 2009///
CY  - Salt Lake City, UT
PB  - Project Gutenberg
KW  - Terence -- Criticism and interpretation -- Early works to 1800
KW  - Plautus, Titus Maccius -- Criticism and interpretation -- Early works to 1800
KW  - Latin drama (Comedy) -- History and criticism -- Early works to 1800
KW  - Latin drama (Comedy) -- Greek influences -- Early works to 1800
KW  - Theater -- Rome -- Early works to 1800
KW  - Theater -- History -- To 500
KW  - Greece -- In literature
N1  - Release date is 2009-08-13; Produced by Louise Hope, David Starner, Dave Morgan and
the Online Distributed Proofreading Team at
http://www.pgdp.net; Original publication data not identified
N2  - "Prefaces to Terence's Comedies and Plautus's Comedies" by Lawrence Echard is a critical work that encompasses the prefaces of translations of classical Roman comedies, likely written in the late 17th century. This publication not only includes discussions around the intent and rationale behind the translations but also reflects on the literary landscape of Echard's time, particularly the rivalry with French literature. The work serves as a commentary on the neoclassical ideals of drama and the merits of the plays of Terence and Plautus for contemporary audiences, including English dramatists.  The opening of this collection introduces Echard’s motivations for translating the works of Terence and Plautus, highlighting their significance in the development of drama. Echard emphasizes the literary virtues of Terence, noting his structural prowess and moral depth when compared to the livelier but less refined style of Plautus. The prefaces set the stage for understanding how these classical works can benefit modern playwrights, illustrating Echard's intention to connect the best elements of ancient comedy with the tastes of his contemporary readers. As one delves deeper into the text, they are invited to reflect on the evolution of dramatic art and the enduring relevance of classical themes in English theatre. (This is an automatically generated summary.)
UR  - https://www.gutenberg.org/ebooks/29684
ER  -