02862cam a22003973u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000070011910000340012624500650016026400510022530000470027633600260032333700260034933800360037550000310041150801240044252013810056653400450194765300670199265300820205965300730214165300680221465300430228265300330232565300280235870000180238685600430240499900170244729684UtSlPG20260610133657.0mcr n260607r2009||||utu|||||o|||||||||||||| d  a76450896  aUtSlPG 7aen2iso639-1 4aPA1 aEchard, Lawrence,d1670?-173010aPrefaces to Terence's Comedies and Plautus's Comedies (1694) 1aSalt Lake City, UT :bProject Gutenberg,c2009  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2009-08-13  aProduced by Louise Hope, David Starner, Dave Morgan and
the Online Distributed Proofreading Team at
http://www.pgdp.net  a"Prefaces to Terence's Comedies and Plautus's Comedies" by Lawrence Echard is a critical work that encompasses the prefaces of translations of classical Roman comedies, likely written in the late 17th century. This publication not only includes discussions around the intent and rationale behind the translations but also reflects on the literary landscape of Echard's time, particularly the rivalry with French literature. The work serves as a commentary on the neoclassical ideals of drama and the merits of the plays of Terence and Plautus for contemporary audiences, including English dramatists.  The opening of this collection introduces Echard’s motivations for translating the works of Terence and Plautus, highlighting their significance in the development of drama. Echard emphasizes the literary virtues of Terence, noting his structural prowess and moral depth when compared to the livelier but less refined style of Plautus. The prefaces set the stage for understanding how these classical works can benefit modern playwrights, illustrating Echard's intention to connect the best elements of ancient comedy with the tastes of his contemporary readers. As one delves deeper into the text, they are invited to reflect on the evolution of dramatic art and the enduring relevance of classical themes in English theatre. (This is an automatically generated summary.)  nOriginal publication data not identified  aTerence -- Criticism and interpretation -- Early works to 1800  aPlautus, Titus Maccius -- Criticism and interpretation -- Early works to 1800  aLatin drama (Comedy) -- History and criticism -- Early works to 1800  aLatin drama (Comedy) -- Greek influences -- Early works to 1800  aTheater -- Rome -- Early works to 1800  aTheater -- History -- To 500  aGreece -- In literature1 aBarnard, John40uhttps://www.gutenberg.org/ebooks/29684  c70532d70532