<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <nonSort>The </nonSort>
    <title>mechanism of the human voice</title>
  </titleInfo>
  <name type="personal">
    <namePart>Behnke, Emil</namePart>
    <namePart type="date">1836-1892</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Behnke, Emil, Mrs.</namePart>
    <namePart type="date">-1920</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">utu</placeTerm>
    </place>
    <dateIssued encoding="marc">2010</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">en</languageTerm>
  </language>
  <physicalDescription>
    <extent>1 online resource : multiple file formats</extent>
  </physicalDescription>
  <abstract>"The Mechanism of the Human Voice" by Emil Behnke is a scientific publication written in the late 19th century. This work focuses on the physiology of voice production, offering insights and understanding valuable to both singers and speakers. The author discusses the anatomy and mechanics of the vocal organs, aiming to provide a comprehensive guide that demystifies the complex processes involved in voice creation.  At the start of the book, Behnke addresses a contemporary concern regarding the degradation of vocal quality in modern singers and discusses historical changes that may have contributed to this decline. He outlines the basic structure of the human vocal apparatus, likening it to a musical instrument, and emphasizes the importance of proper breathing techniques in vocal training. In doing so, he critiques past teaching methods and offers a more physiological approach based on scientific findings, setting the stage for a detailed exploration of how the mechanics of the voice work. (This is an automatically generated summary.)</abstract>
  <note>Release date is 2010-01-08</note>
  <note>Produced by Chuck Greif and the Online Distributed
Proofreading Team at http://www.pgdp.net</note>
  <note>Original publication data not identified</note>
  <subject>
    <topic>Voice</topic>
  </subject>
  <subject>
    <topic>Singing -- Instruction and study</topic>
  </subject>
  <classification authority="lcc">MT</classification>
  <relatedItem type="original">
    <note>Original publication data not identified</note>
  </relatedItem>
  <identifier type="uri">https://www.gutenberg.org/ebooks/30889</identifier>
  <location>
    <url>https://www.gutenberg.org/ebooks/30889</url>
  </location>
  <recordInfo>
    <recordContentSource authority="marcorg">UtSlPG</recordContentSource>
    <recordCreationDate encoding="marc">260607</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260610133714.0</recordChangeDate>
    <recordIdentifier source="UtSlPG">30889</recordIdentifier>
  </recordInfo>
</mods>
