Being Studies of the Antique and the Mediaeval in the Renaissance Lee, Vernon 1856-1935 creator text utu 2010 monographic en 1 online resource : multiple file formats "Euphorion: Being Studies of the Antique and the Mediæval in the Renaissance" by Vernon Lee is a scholarly work written in the late 19th century. The book explores the complex interplay between the Medieval and Classical influences during the Renaissance, using the allegory of Faustus and Helena to symbolize the cultural lineage of that era. Through this lens, Lee aims to delve into the evolving nature of cultural knowledge and moral understanding, particularly in the context of Renaissance Italy. The opening of the book sets the stage for a profound examination of the Renaissance as a pivotal moment in the history of human thought and artistic expression. Lee introduces the characters of Faustus, representing the Middle Ages, and Helena, embodying Antiquity, discussing their symbolic child, Euphorion, which he identifies as the Renaissance itself. This section contemplates the contradictions inherent in the Renaissance—its remarkable advancements juxtaposed against moral degradation—framing this cultural period as a phase of both enlightenment and chaos. The analytical tone invites readers to consider not only the historical context of the Renaissance but also its lasting implications on modern civilization. (This is an automatically generated summary.) Introduction -- The sacrifice -- The Italy of the Elizabethan dramatists -- The out-door poetry -- Symmetria prisca. Release date is 2010-02-17 Produced by Marc D'Hooghe Original publication data not identified Civilization, Medieval Renaissance -- Italy Love English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism Boiardo, Matteo Maria, 1440 or 1441-1494 Epic poetry, Italian -- History and criticism CB PN Original publication data not identified https://www.gutenberg.org/ebooks/31303 https://www.gutenberg.org/ebooks/31303 UtSlPG 260607 20260610133720.0 31303