<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <title>Euphorion - Vol. II</title>
    <subTitle>Being Studies of the Antique and the Mediaeval in the Renaissance</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Lee, Vernon</namePart>
    <namePart type="date">1856-1935</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">utu</placeTerm>
    </place>
    <dateIssued encoding="marc">2010</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">en</languageTerm>
  </language>
  <physicalDescription>
    <extent>1 online resource : multiple file formats</extent>
  </physicalDescription>
  <abstract>"Euphorion - Vol. II" by Vernon Lee is a collection of essays examining artistic movements and expressions during the Renaissance, likely written in the late 19th century. The text delves into themes such as realism and idealism in art, particularly concerning portraiture, and explores the cultural and artistic nuances inherent in that period. Lee's analysis is dense with philosophical undertones, utilizing artistic examples to illustrate his points.  The opening of the work examines the concepts of realism and idealism in portrait art, emphasizing the complex interplay between the two in the context of the Renaissance. Lee argues that both styles ultimately strive for beauty, albeit through different methodologies. He presents examples from artists such as Giotto and Fra Angelico, highlighting how their work reflects deeper truths about the human condition and societal values. This introduction sets the stage for a broader exploration of artistic achievements and the idea of beauty in art, inviting readers to engage with the intricate philosophical debates surrounding these themes. (This is an automatically generated summary.)</abstract>
  <tableOfContents>The portrait art -- The school of Boiardo -- Mediaeval love -- Epilogue -- Appendix.</tableOfContents>
  <note>Release date is 2010-02-17</note>
  <note>Produced by Marc D'Hooghe</note>
  <note>Original publication data not identified</note>
  <subject>
    <topic>Civilization, Medieval</topic>
  </subject>
  <subject>
    <topic>Renaissance -- Italy</topic>
  </subject>
  <subject>
    <topic>Love</topic>
  </subject>
  <subject>
    <topic>English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism</topic>
  </subject>
  <subject>
    <topic>Boiardo, Matteo Maria, 1440 or 1441-1494</topic>
  </subject>
  <subject>
    <topic>Epic poetry, Italian -- History and criticism</topic>
  </subject>
  <classification authority="lcc">CB</classification>
  <classification authority="lcc">PN</classification>
  <relatedItem type="original">
    <note>Original publication data not identified</note>
  </relatedItem>
  <identifier type="uri">https://www.gutenberg.org/ebooks/31304</identifier>
  <location>
    <url>https://www.gutenberg.org/ebooks/31304</url>
  </location>
  <recordInfo>
    <recordContentSource authority="marcorg">UtSlPG</recordContentSource>
    <recordCreationDate encoding="marc">260607</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260610133720.0</recordChangeDate>
    <recordIdentifier source="UtSlPG">31304</recordIdentifier>
  </recordInfo>
</mods>
