02541cam a22003133u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000420011324501230015526400510027830000470032933600260037633700260040233800360042850000310046450802080049552013410070353400450204465300130208965300150210270000670211785600430218431714UtSlPG20260610133726.0mcr n260607r2010||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aTT1 aMenzies, Sutherland, active 1840-188314aThe Art of Needle-work, from the Earliest Ages, 3rd ed. :bIncluding Some Notices of the Ancient Historical Tapestries 1aSalt Lake City, UT :bProject Gutenberg,c2010  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2010-03-20  aProduced by Julia Miller, Sam W. and the Online Distributed
Proofreading Team at https://www.pgdp.net (This book was
produced from scanned images of public domain material
from the Google Print project.)  a"The Art of Needle-work, from the Earliest Ages" edited by the Right Honourable The Countess of Wilton is a historical account written in the early 19th century. This work provides a comprehensive examination of the history, significance, and evolution of needlework through the ages, highlighting its importance across various cultures and social classes. The text emphasizes the artistry and skill involved in needlework, portraying it as a noble pursuit that has been undervalued compared to more aggressive arts like military exploits.  The opening portion of the book introduces the premise that needlework has played a vital role in human civilization, from the earliest times to the 19th century. It sets the stage for exploring how this art form has contributed to both personal adornment and cultural expression. The authoress expresses her aspiration to document the rich history of needlework, reflecting on its progression and significance in society. She urges readers to appreciate the beauty and utility of needlework, recognizing it as an essential craft that enriches both domestic life and public celebrations. The introduction is imbued with a sense of reverence for the art and its practitioners, particularly women, whom it honors as integral to the craft’s heritage. (This is an automatically generated summary.)  nOriginal publication data not identified  aTapestry  aNeedlework1 aWilton, Mary Margaret Stanley Egerton, Countess of,d1801-185840uhttps://www.gutenberg.org/ebooks/31714