02294cam a22002893u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000190011324500940013226400510022630000470027733600260032433700260035033800360037650000310041250801080044352013500055153400450190165300150194685600430196131740UtSlPG20260610133726.0mcr n260607r2010||||utu|||||o|||||||||||||| d  aUtSlPG 7apt2iso639-1 4aBF1 aSerrano, Bento12aO Oraculo do Passado, do presente e do Futuro (4/7) :bParte Quarta: O oraculo das Flores 1aSalt Lake City, UT :bProject Gutenberg,c2010  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2010-03-23  aProduced by Mike Silva (produced from scanned images of
public domain material from Google Book Search)  a"O Oraculo do Passado, do presente e do Futuro" by Bento Serrano is a multifaceted treatise that likely falls into the category of esoteric guidance, written in the late 19th century. This work appears to focus on astrology and the interpretation of various signs and omens through the lens of nature, specifically flowers, plants, and celestial bodies. The book aims to provide readers with methods to understand the past, navigate the present, and predict the future through postulations based on these elements.  The content is primarily divided into seven sections, with the fourth part dedicated to "O Oraculo das Flores," which interprets the meanings of various flowers. Each flower carries a specific significance, acting as an oracle to convey messages about love, emotions, and interpersonal relationships. The author lists numerous flowers alongside their interpretive meanings, suggesting how these can serve as indicators of one's feelings or state of mind. Additionally, the book includes methods for using flowers and their colors to tell time and convey emotions in social games, enriching the reader's understanding of botanical symbolism in a cultural context. Thus, it serves dual purposes: as a guide for personal reflection and as a playful interaction with societal traditions. (This is an automatically generated summary.)  nOriginal publication data not identified  aDivination40uhttps://www.gutenberg.org/ebooks/31740