02181cam a22003013u 4500 33689 UtSlPG 20260610133752.0 m cr n 260607r2010||||utu|||||o|||||||||||||| d UtSlPG en iso639-1 PR Mason, Stuart, 1872-1927 Oscar Wilde, Art and Morality: A Defence of "The Picture of Dorian Gray" Salt Lake City, UT : Project Gutenberg, 2010 1 online resource : multiple file formats text txt rdacontent computer c rdamedia online resource cr rdacarrier Release date is 2010-09-10 Christine Bell and Marc D'Hooghe "Art and Morality: A Defence of 'The Picture of Dorian Gray'" by Stuart Mason is an analysis written in the late 19th century that aims to defend Oscar Wilde's controversial novel "The Picture of Dorian Gray." The work delves into the interplay between art and ethics, specifically addressing the criticisms that have been leveled at Wilde's narrative for its perceived immorality. The central character explored is Dorian Gray, a young man whose Faustian bargain leads him down a path of debauchery while his outward appearance remains untainted. The opening of this analysis introduces the context surrounding Wilde's "The Picture of Dorian Gray," highlighting the initial responses and critiques it received upon publication. It discusses Wilde's artistic philosophy on the separation of art from moral judgments, emphasizing his belief that an artist's work should not be constrained by public expectation or ethical standards. Additionally, it sets the stage for broader discussions on the nature of beauty, aestheticism, and the historical reception of Wilde's ideas, ultimately arguing that what is deemed "unhealthy" by the public often reflects a misunderstanding of true artistic merit. (This is an automatically generated summary.) Original publication data not identified Wilde, Oscar, 1854-1900. Picture of Dorian Gray https://www.gutenberg.org/ebooks/33689 74535 74535