02288cam a22002893u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000330011324500740014626400510022030000470027133600260031833700260034433800360037050000310040650802210043752012340065853400450189265300180193785600430195534735UtSlPG20260610133807.0mcr n260607r2010||||utu|||||o|||||||||||||| d aUtSlPG 7ait2iso639-1 4aPQ1 aMarinetti, F. T.,d1876-194413aIl tamburo di fuoco: Dramma africano di calore, colore, rumori, odori 1aSalt Lake City, UT :bProject Gutenberg,c2010 a1 online resource :bmultiple file formats atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier aRelease date is 2010-12-23 aProduced by Carlo Traverso, Claudio Paganelli, Barbara Magni and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) a"Il tamburo di fuoco: Dramma africano di calore, colore, rumori, odori" by F.T. Marinetti is a dramatic work likely written in the early 20th century. This play immerses the reader in a vivid representation of African life, showcasing intense sensory experiences through its characters and settings. The central protagonist, Kabango, is presented as a strong leader navigating the complexities of loyalty, ambition, and cultural identity amidst conflict and transformative experiences. The opening of the drama introduces us to a tense and oppressive atmosphere in the Equatorial African desert, where the protagonist Kabango, along with his companions Mabima, Lanzirica, and Bagamoio, struggles for survival against the relentless heat and impending dangers. Kabango's leadership is tested as they confront enemy factions and personal dilemmas involving love for Mabima and the significance of a sacred object called the Sinrun. As the characters grapple with their circumstances, themes of betrayal, resilience, and the intersection between tradition and modernity emerge, setting the stage for a deeper exploration of their cultural and emotional stakes in the broader narrative. (This is an automatically generated summary.) nOriginal publication data not identified aItalian drama40uhttps://www.gutenberg.org/ebooks/34735