02699cam a22003133u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000300011324500740014326400510021730000470026833600260031533700260034133800360036750000310040350502030043450802110063752013850084853400450223365300400227865300240231885600430234235438UtSlPG20260610133817.0mcr n260607r2011||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aPN1 aMasson, David,d1822-190714aThe Three Devils: Luther's, Milton's, and Goethe's; With Other Essays 1aSalt Lake City, UT :bProject Gutenberg,c2011  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2011-03-010 aThe three devils: Luther's, Milton's, and Goethe's -- Shakespeare and Goethe -- Milton's youth -- Dryden and the literature of the Restoration -- Dean Swift -- How literature may illustrate history.  aE-text prepared by the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://www.archive.org/details/americana)  a"The Three Devils: Luther's, Milton's, and Goethe's; With Other Essays" by David Masson is a collection of critical essays written in the late 19th century. The central theme of the opening essay revolves around the conceptions of evil as depicted by three influential figures—Luther, Milton, and Goethe—each representing the idea of evil in a distinct manner. The essay aims to analyze how these distinct portrayals reflect their respective beliefs and the cultural context of their times.  At the start of the collection, the author introduces the idea of comparing the representations of the Devil by Martin Luther, John Milton, and Johann Wolfgang von Goethe, exploring how each figures' understanding of the Evil Principle is shaped by their personal experiences and literary contexts. Luther's view of the Devil is portrayed as a personal adversary rooted in his tumultuous faith journey, while Milton’s Satan is depicted as a grand literary character in his epic work, characterized by nobility and tragic flaws. In contrast, Goethe's Mephistopheles represents a modern, cynical perspective on evil, reflecting the complexities of human society and moral ambiguity. The opening portion sets up an analytical exploration to reveal the nuances of these three devils, emphasizing their cultural and existential significance. (This is an automatically generated summary.)  nOriginal publication data not identified  aLiterature -- History and criticism  aDevil in literature40uhttps://www.gutenberg.org/ebooks/35438