02524cam a22003373u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000070011910000470012624500410017326400510021430000470026533600260031233700260033833800360036450000310040050801230043152013480055453400450190265300560194765300570200365300660206085600430212699900170216935592UtSlPG20260610133819.0mcr n260607r2011||||utu|||||o|||||||||||||| d  a79228390  aUtSlPG 7aen2iso639-1 4aML1 aThomas, W. H.q(William Henry),d1880-193510aSome Current Folk-Songs of the Negro 1aSalt Lake City, UT :bProject Gutenberg,c2011  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2011-03-16  aProduced by Tor Martin Kristiansen, Joseph Cooper and the
Online Distributed Proofreading Team at https://www.pgdp.net  a"Some Current Folk-Songs of the Negro" by W. H. Thomas is a scholarly collection of folk songs written in the early 20th century, specifically in 1912. This publication serves to document and analyze the songs of the African American community, especially focusing on those from the semi-rural proletarian class. The work aims to explore the cultural implications and socio-economic backgrounds of these folk songs, positioning them as reflections of the community's experiences and struggles.  The book features various songs that depict themes surrounding work, love, and social realities faced by the African American population during this time. Thomas presents a mix of traditional folk songs influenced by Biblical narratives, as well as contemporary songs that resonate with experiences of economic hardship and interpersonal relationships. Each song is accompanied by commentary that illustrates the underlying social commentary and historical context, highlighting how the changing economic landscape has impacted the lives of these individuals and their artistic expressions. Through this collection, Thomas not only preserves the artistic legacy of a significant cultural group but also fosters an understanding of their lived realities during a transformative time in American history. (This is an automatically generated summary.)  nOriginal publication data not identified  aAfrican Americans -- Music -- History and criticism  aFolk music -- United States -- History and criticism  aFolk songs, English -- United States -- History and criticism40uhttps://www.gutenberg.org/ebooks/35592  c76435d76435