02566cam a22003253u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000380011324500240015126400510017530000470022633600260027333700260029933800360032550000310036150504130039250802350080552010560104053400450209665300120214165300310215365300130218485600430219736215UtSlPG20260610133827.0mcr n260607r2011||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aML1 aStrang, Lewis Clinton,d1869-193510aFamous Prima Donnas 1aSalt Lake City, UT :bProject Gutenberg,c2011  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2011-05-240 aIntroduction -- Alice Nielsen -- Virginia Earle -- Lillian Russell -- Josephine Hall -- Mabelle Gilman -- Fay Templeton -- Madge Lessing -- Jessie Bartlett Davis -- Edna Wallace Hopper -- Paula Edwardes -- Lulu Glaser -- Minnie Ashley -- Edna May -- Marie Celeste -- Christie MacDonald       -- Marie Dressler -- Della Fox -- Camille D'Arville -- Marie Tempest -- Maud Raymond -- Pauline Hall -- Hilda Clark.  aProduced by Linda Cantoni, Bryan Ness, David E. Brown, and
the Online Distributed Proofreading Team at
https://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive/American
Libraries.)  a"Famous Prima Donnas" by Lewis Clinton Strang is a historical account written in the late 19th century. The book explores the lives and careers of prominent female singers in light opera, examining their rise to fame and the intricacies of their performances. It presents a blend of biographical sketches and critical analysis, showcasing the traits that made these women captivating entertainers despite their varied talents.  At the start of the text, the author establishes a framework for understanding the role of women in the American musical theater scene. Strang discusses the challenges these prima donnas face in balancing personal magnetism with the art of singing and acting, suggesting that many became stars more through personality than formal training. The opening chapters focus on Alice Nielsen, detailing her transformation from a church singer to a leading star in light opera, emphasizing her charm and natural stage presence as well as the nuances and challenges of her early career. (This is an automatically generated summary.)  nOriginal publication data not identified  aSingers  aActresses -- United States  aOperetta40uhttps://www.gutenberg.org/ebooks/36215