02480cam a22003253u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000100011910000190012924501180014826400510026630000470031733600260036433700260039033800360041650000310045250801910048352013540067453400450202865300080207365300130208185600430209499900170213736427UtSlPG20260610133830.0mcr n260607r2011||||utu|||||o|||||||||||||| d  a19004329  aUtSlPG 7aen2iso639-1 4aNaND1 aGovett, Ernest10aArt Principles with Special Reference to Painting :bTogether with Notes on the Illusions Produced by the Painter 1aSalt Lake City, UT :bProject Gutenberg,c2011  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2011-06-14  aE-text prepared by Chris Curnow and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://www.archive.org)  a"Art Principles with Special Reference to Painting" by Ernest Govett is a treatise on aesthetics and art theory written in the early 20th century. This work delves into the fundamental principles of art, particularly in painting, while exploring theories of beauty, expression, and the nature of genius in the artistic process. Through a systematic analysis, Govett attempts to outline the complexities and nuances inherent in the production of visual beauty and its appreciation.  The opening of the text presents a preface in which the author expresses humility regarding the scope of his work. He acknowledges the difficulties he faced due to the constraints of time and the impact of the World War on his research endeavors. Govett emphasizes that while his book offers a framework for understanding art principles, it remains a skeleton that invites further exploration and inquiry into the subject. He introduces key philosophical conceptions of art and its historical significance, suggesting that beauty is a critical aspect of its definition, and the exploration of various artistic ideals is essential for comprehensive understanding. The beginning sets the stage for an in-depth discourse on aesthetics and urges the reader to consider the intricacies of artistic expression and appreciation. (This is an automatically generated summary.)  nOriginal publication data not identified  aArt  aPainting40uhttps://www.gutenberg.org/ebooks/36427  c77267d77267