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    <subfield code="a">Old Deccan Days; or, Hindoo Fairy Legends Current in Southern India</subfield>
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    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2011</subfield>
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    <subfield code="a">1 online resource :</subfield>
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    <subfield code="a">Release date is 2011-07-11</subfield>
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    <subfield code="a">Introduction -- The collector's apology -- The narrator's narrative -- Punchkin -- A funny story -- Brave Seventee Bai -- Truth's triumph -- Rama and Luxman; or, the learned owl -- Little Surya Bai -- The wanderings of Vicram Maharajah -- Less inequality than men deem -- Panch-Phul Ranee -- How the Sun, the Moon and the Wind went out to dinner -- Singh Rajah and the cunning little Jackals -- The Jackal, the Barber and the Brahmin who had seven daughters -- Tit for tat -- The Brahmin, the Tiger and the six judges -- The selfish Sparrow and the houseless Crows -- The valiant Chattee-maker -- The Rakshas' palace -- The Blind Man, the Deaf Man and the donkey -- Muchie Lal -- Chundun Rajah -- Sodewa Bai -- Chandra's vengeance -- How the three clever men outwitted the Demons -- The Alligator and the Jackal.</subfield>
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    <subfield code="a">Produced by David Edwards, Sam W. and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)</subfield>
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    <subfield code="a">"Old Deccan Days; or, Hindoo Fairy Legends Current in Southern India" by Mary Frere et al. is a collection of fairy tales rooted in Indian oral tradition, compiled in the late 19th century. The book draws on various local legends and folklore from Southern India, reflecting the rich cultural heritage and storytelling practices of the region. It presents a plethora of enchanting narratives that feature unique characters, moral lessons, and supernatural elements characteristic of Indian fairy tales.  The opening portion of this collection sets the stage with a detailed introduction and the stories of the narrator, Anna Liberata de Souza. It shares her personal background, detailing her family's Christian conversion and their historical context during colonial times in India. The narrative then transitions into the tales themselves, beginning with "Punchkin," which tells the tale of a Rajah's seven daughters and their struggle against a cruel stepmother. As they face adversity, they encounter magic and the supernatural, embodying the themes of resilience and the triumph of good over evil that are prevalent in traditional fairy tales. This introductory section establishes a strong connection to the customs, beliefs, and experiences of the people in the Deccan, entwining personal and cultural histories with the art of storytelling. (This is an automatically generated summary.)</subfield>
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    <subfield code="a">Fairy tales</subfield>
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    <subfield code="a">Fairy tales -- India</subfield>
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    <subfield code="u">https://www.gutenberg.org/ebooks/36696</subfield>
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