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    <subfield code="a">Robinson, W.</subfield>
    <subfield code="q">(William),</subfield>
    <subfield code="d">1838-1935</subfield>
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    <subfield code="a">Garden Design and Architects' Gardens :</subfield>
    <subfield code="b">Two reviews, illustrated, to show, by actual examples from British gardens, that clipping and aligning trees to make them 'harmonise' with architecture is barbarous, needless, and inartistic</subfield>
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    <subfield code="a">Salt Lake City, UT :</subfield>
    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2011</subfield>
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    <subfield code="a">1 online resource :</subfield>
    <subfield code="b">multiple file formats</subfield>
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    <subfield code="a">Release date is 2011-10-03</subfield>
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    <subfield code="a">Produced by Chris Curnow, Therese Wright and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)</subfield>
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    <subfield code="a">"Garden Design and Architects' Gardens" by W. Robinson is a critical examination of landscape gardening written in the late 19th century. This book discusses the principles of garden design, particularly contrasting the natural aesthetic of English gardens with the formal, often rigid approaches taken by architects. The author's likely focus is on the importance of harmonizing gardens with their natural surroundings rather than enforcing artificial geometries that detract from intrinsic beauty.  Robinson argues passionately against the practice of clipping and aligning trees to fit architectural designs, labeling such methods as "barbarous" and detrimental to the art of gardening. He draws upon actual examples from British gardens to demonstrate that true beauty comes from embracing natural forms and spontaneous growth rather than imposed symmetry. Through a series of observations and critiques, he emphasizes the necessity of understanding local flora and the surrounding landscape, asserting that gardens should serve as an extension of their environment rather than a stark contrast to it. Overall, the book serves as both a manifesto for natural garden design and a rebuke to the prevailing trends of his time and the manner in which gardens are often mismanaged by those who lack an appreciation for their artistic potential. (This is an automatically generated summary.)</subfield>
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    <subfield code="n">Original publication data not identified</subfield>
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    <subfield code="a">Landscape gardening</subfield>
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  <datafield tag="653" ind1=" " ind2=" ">
    <subfield code="a">Blomfield, Reginald Theodore, Sir, 1856-1942. Formal garden in England</subfield>
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    <subfield code="a">Sedding, John D. (John Dando), 1838-1891. Garden-craft old and new</subfield>
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    <subfield code="u">https://www.gutenberg.org/ebooks/37607</subfield>
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