02811cam a22003253u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000370011324500480015026400510019830000470024933600260029633700260032233800360034850000310038450504940041550802050090952012050111453400450231965300260236465300350239085600430242599900170246837836UtSlPG20260610133849.0mcr n260607r2011||||utu|||||o|||||||||||||| d  aUtSlPG 7afr2iso639-1 4aPQ1 aJanin, Jules Gabriel,d1804-187410aContes Fantastiques et Contes Littéraires 1aSalt Lake City, UT :bProject Gutenberg,c2011  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2011-10-240 aPréface -- Avant-propos -- Kreyssler -- Honestus -- La mort de Doyen -- Jenny la bouquetière -- Maître et Valet -- La Vallée de Bièvre -- Le Haut-de-chausses -- L'Échelle de soie -- Le Voyage de la lionne -- La Fin d'automne -- Hoffmann et Paganini -- Les Duellistes -- Vendue en détail -- 310 Rosette -- Iphigénie -- Strafford sur l'Avon -- Rêverie -- La Vente à l'encan -- Rambouillet -- La Soirée poétique -- La Rue des Tournelles -- La Ville de Saint-Étienne.  aProduced by Hélène de Mink and the Online Distributed
Proofreading Team at http://www.pgdp.net (This book was
produced from scanned images of public domain material
from the Google Print project.)  a"Contes Fantastiques et Contes Littéraires" by Jules Gabriel Janin is a collection of fantastical and literary short stories likely written in the mid-19th century. The work addresses themes of poetry, art, and the nature of imagination, showcasing the author's reflections on the essence of storytelling and inspiration. Janin draws comparisons between various literary forms and explores what constitutes fantasy in literature.  The opening portion introduces the tone and intent of the collection through a lively preface in which Janin reflects on the nature of his stories, revealing a certain ambivalence about their label as “fantastiques.” He engages in a philosophical discourse with a friend, Roland, contemplating the state of poetry and its evolution, suggesting that contemporary poets, while constrained by moral and artistic expectations, turn to the fantastical for inspiration. The narrative shifts to a scene at a tavern where the protagonist, Théodore, shares his experiences and ruminates on his artistic ambitions, signifying a blend of introspection and social commentary that sets the stage for the diverse tales to unfold. (This is an automatically generated summary.)  nOriginal publication data not identified  aShort stories, French  aFrench fiction -- 19th century40uhttps://www.gutenberg.org/ebooks/37836  c78676d78676