02023cam a22003013u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000320011324500330014526400510017830000470022933600260027633700260030233800360032850000310036450801340039552010690052953400450159865300180164385600430166199900170170437936UtSlPG20260610133850.0mcr n260607r2011||||utu|||||o|||||||||||||| d  aUtSlPG 7ait2iso639-1 4aPQ1 aBracco, Roberto,d1861-194310aDopo il veglione o viceversa 1aSalt Lake City, UT :bProject Gutenberg,c2011  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2011-11-05  aProduced by Carlo Traverso, Claudio Paganelli, Barbara Magni, and the Online Distributed Proofreading Team at http://www.pgdp.net  a"Dopo il veglione o viceversa" by Roberto Bracco is a comedic play likely written in the late 19th century. This theatrical work, designed for the café-chantant format, utilizes humor and role reversals to explore themes of identity and gender. The narrative unfolds within an intimate salon setting, where a man and a woman, dressed in each other's clothing and masked, engage in witty banter that highlights societal norms related to gender roles.  In the play, the male character, who believes the woman to be a man due to her disguise, and the female character, who is equally convinced of his true identity, engage in a humorous exchange filled with misunderstandings and flirtation. As they navigate their mistaken identities, both characters shed their disguises, revealing their true selves while discovering unexpected feelings for one another. The play culminates in a lighthearted exploration of attraction and identity, emphasizing that true self-expression can often be clouded by societal expectations. (This is an automatically generated summary.)  nOriginal publication data not identified  aItalian drama40uhttps://www.gutenberg.org/ebooks/37936  c78776d78776