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    <subfield code="a">Wagnalls, Mabel,</subfield>
    <subfield code="d">1871-1946</subfield>
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    <subfield code="a">Stars of the Opera :</subfield>
    <subfield code="b">A Description of Operas &amp; a Series of Personal Interviews with Marcela Sembrich, Emma Eames, Emma Calv&#xE9;, Lillian Nordica, Lilli Lehmann, Geraldine Farrar &amp; Nellie Melba</subfield>
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    <subfield code="a">Salt Lake City, UT :</subfield>
    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2011</subfield>
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    <subfield code="a">1 online resource :</subfield>
    <subfield code="b">multiple file formats</subfield>
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    <subfield code="a">Release date is 2011-11-27</subfield>
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    <subfield code="a">An interview with Marcella Sembrich -- "Semiramide" -- A call on Emma Eames -- "Faust" -- "Werther" -- Calv&#xE9; and "Carmen" -- "Carmen" -- "Hamlet" -- A talk with Lillian Nordica -- "Lohengrin" -- "Aida" -- "The Huguenots" -- An hour with Lilli Lehmann -- "The Flying Dutchman" -- Melba, the Australian Nightingale -- "Lakme" -- "I Pagliacci" -- "Orpheus and Eurydice" -- The genius of Geraldine Farrar -- "Madame Butterfly".</subfield>
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    <subfield code="a">Produced by Chuck Greif and the Online Distributed
Proofreading Team at http://www.pgdp.net (This book was
produced from scanned images of public domain material
from the Google Print project.)</subfield>
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    <subfield code="a">"Stars of the Opera" by Mabel Wagnalls is a collection of descriptive accounts and personal interviews written in the early 20th century. The book features operas as its main subject, providing readers with insights into the world of grand opera through discussions with notable singers like Marcella Sembrich and Emma Eames. The work highlights the artistry and challenges faced by these prominent figures in opera, inviting readers to appreciate the depth of their craft.  The opening of "Stars of the Opera" introduces readers to the exhilarating atmosphere of a grand performance, specifically highlighting Marcella Sembrich&#x2019;s celebrated portrayal in "Traviata." Wagnalls captures the excitement of the audience and the formidable talent of the performers, showcasing the hard work and dedication that goes into the art of opera. In a personal interview, Sembrich shares her early experiences with music, her rigorous training, and the emotional weight she feels as a performer. Through this intimate glimpse, readers can grasp the blend of artistry, discipline, and passion that defines the opera world. (This is an automatically generated summary.)</subfield>
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    <subfield code="n">Original publication data not identified</subfield>
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    <subfield code="a">Operas -- Stories, plots, etc.</subfield>
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    <subfield code="a">Singers</subfield>
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    <subfield code="a">Farrar, Geraldine, 1882-1967</subfield>
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    <subfield code="a">Sembrich, Marcella, 1858-1935</subfield>
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    <subfield code="a">Eames, Emma, 1865-1952</subfield>
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    <subfield code="a">Calv&#xE9;, Emma, 1858-1942</subfield>
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    <subfield code="a">Nordica, Lillian, 1857-1914</subfield>
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    <subfield code="a">Lehmann, Lilli, 1848-1929</subfield>
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    <subfield code="a">Melba, Nellie, Dame, 1861-1931</subfield>
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