<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <nonSort>The </nonSort>
    <title>Grotesque in Church Art</title>
  </titleInfo>
  <name type="personal">
    <namePart>Wildridge, T. Tindall (Thomas Tindall)</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">utu</placeTerm>
    </place>
    <dateIssued encoding="marc">2012</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">en</languageTerm>
  </language>
  <physicalDescription>
    <extent>1 online resource : multiple file formats</extent>
  </physicalDescription>
  <abstract>"The Grotesque in Church Art" by T. Tindall Wildridge is a scholarly examination of the grotesque elements found in ecclesiastical artwork, written in the late 19th century. This work analyzes how various grotesque features in church art intertwine with historical, mythological, and artistic traditions, highlighting their significance and origins. The book explores the evolution of these artistic expressions and their reflection on the society that produced them.  At the start of the book, the author provides a preface outlining the scope of the study and the types of grotesques that will be analyzed. He emphasizes the need for clear definitions and the relationship between church art and earlier pagan practices, suggesting that many church designs may have been derived from earlier religious forms. This opening establishes the foundation of Wildridge's arguments, as he prepares to delve deeper into the artistic qualities, historical context, and cultural significance of grotesques in church art throughout the book. (This is an automatically generated summary.)</abstract>
  <note>Release date is 2012-03-25</note>
  <note>Produced by Chris Curnow and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive.)</note>
  <note>Original publication data not identified</note>
  <subject>
    <topic>Church decoration and ornament</topic>
  </subject>
  <subject>
    <topic>Christian art and symbolism</topic>
  </subject>
  <subject>
    <topic>Grotesque</topic>
  </subject>
  <classification authority="lcc">N</classification>
  <relatedItem type="original">
    <note>Original publication data not identified</note>
  </relatedItem>
  <identifier type="lccn">13005256</identifier>
  <identifier type="uri">https://www.gutenberg.org/ebooks/39264</identifier>
  <location>
    <url>https://www.gutenberg.org/ebooks/39264</url>
  </location>
  <recordInfo>
    <recordContentSource authority="marcorg">UtSlPG</recordContentSource>
    <recordCreationDate encoding="marc">260607</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260610133911.0</recordChangeDate>
    <recordIdentifier source="UtSlPG">39264</recordIdentifier>
  </recordInfo>
</mods>
