02563cam a22003133u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000070011910000300012624501100015626400510026630000470031733600260036433700260039033800360041650000310045250801840048352014710066753400450213865300100218365300130219385600430220639286UtSlPG20260610133911.0mcr n260607r2012||||utu|||||o|||||||||||||| d  a11032926  aUtSlPG 7aen2iso639-1 4aND1 aHoward, Frank,d1805-186610aColour as a Means of Art :bBeing an Adaption of the Experience of Professors to the Practice of Amateurs 1aSalt Lake City, UT :bProject Gutenberg,c2012  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2012-03-28  aProduced by Chris Curnow and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)  a"Colour as a Means of Art" by Frank Howard is a detailed instructional guide on the principles of coloring in art, intended for amateurs and students of painting. Written in the mid-19th century, the book draws upon the experiences of various artistic masters to elucidate techniques that can aid in creating visually compelling artwork. The primary focus of the text is on exploring the aesthetic possibilities of color and how it can be used effectively to enhance pictorial representation.  The book systematically breaks down the principles of color into chapters that discuss harmony, tone, and the application of color across different styles and masters. Howard emphasizes that successful coloring is not merely about imitating the hues found in nature but involves understanding the underlying rules that govern the arrangement of colors, such as balance and mood. By analyzing techniques from artists like Titian and Turner, Howard aims to provide practical advice on how to achieve depth and vibrancy in art while advocating for a harmonious approach to color application. He also delves into the psychological aspects of color perception, cautioning readers against common pitfalls, such as overusing certain hues that can lead to undesirable visual effects. Overall, the book serves as a comprehensive resource for those looking to refine their understanding of color as a vital element of artistic practice. (This is an automatically generated summary.)  nOriginal publication data not identified  aColor  aPainting40uhttps://www.gutenberg.org/ebooks/39286