02398cam a22003373u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000060010610000260011224000490013824500750018726400510026230000470031333600260036033700260038633800360041250000310044850800660047952013460054553400450189165300270193665300190196370000180198285600430200099900170204341241UtSlPG20260610133937.0mcr n260607r2012||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aZ1 aHalfer, Josef,d-191614aDie Fortschritte der Marmorierkunst. English14aThe progress of the marbling art, from technical scientific principles 1aSalt Lake City, UT :bProject Gutenberg,c2012  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2012-10-30  aWalt Farrell, fh and the Online Distributed Proofreading Team  a"The Progress of the Marbling Art from Technical Scientific Principles" by Josef Halfer is a specialized scientific publication written in the late 19th century. The book delves into the intricate art of marbling, focusing on both its practical applications and underlying chemical principles. It aims to provide insights into the preparation of marbling colors, the role of different sizes, and the methods employed in the process, catering to both novices and experienced practitioners.  The opening of this work includes a detailed preface in which Halfer establishes the significance of color in industrial arts, specifically in bookbinding. He expresses his ambition to address the technical challenges faced by craftsmen in marbling and highlights the extensive research he undertook to understand the chemistry of colors used in this art form. Through example and experiment, Halfer outlines how various materials, such as ox-gall and carrageen moss, contribute to successful marbling techniques, while also emphasizing the importance of consistent size and color preparation for achieving beautiful outcomes. He intends for his book to serve as both a theoretical guide and a practical manual, hoping to bridge the gap between scientific principles and craftsmanship in the marbling art. (This is an automatically generated summary.)  nOriginal publication data not identified  aMarbling (Bookbinding)  aMarbled papers1 aDieck, Herman40uhttps://www.gutenberg.org/ebooks/41241  c82080d82080