<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <nonSort>The </nonSort>
    <title>Confounding of Camelia</title>
  </titleInfo>
  <name type="personal">
    <namePart>Sedgwick, Anne Douglas</namePart>
    <namePart type="date">1873-1935</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">utu</placeTerm>
    </place>
    <dateIssued encoding="marc">2013</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">en</languageTerm>
  </language>
  <physicalDescription>
    <extent>1 online resource : multiple file formats</extent>
  </physicalDescription>
  <abstract>"The Confounding of Camelia" by Anne Douglas Sedgwick is a novel written in the late 19th century. The story revolves around the character Camelia Paton, who returns to her family estate in the country after a successful but disconcerting season in London. As she navigates the expectations and judgments of those around her, particularly concerning her unconventional nature and her family's legacy of quiet respectability, the narrative explores themes of identity, societal norms, and personal ambition.  The opening of the novel introduces us to Camelia's background, including her lineage of “good, quiet people” and her father's rebellious spirit that sets her apart. The text paints a vivid picture of the contrast between her vibrant personality and the conservative views of her community in Clievesbury, establishing her as a figure both admired and scrutinized. We learn about her complex relationships, particularly with her mother, Lady Paton, and her childhood friend, Michael Perior, who seems critical yet protective of her. The dynamics in their interactions suggest an underlying tension and potential for deeper connections as Camelia seeks to assert her identity amidst the conformity she despises while also yearning for acceptance. The stage is set for a rich exploration of her character and the relationships in her life as she confronts societal expectations and her own desires. (This is an automatically generated summary.)</abstract>
  <note>Release date is 2013-01-26</note>
  <note>Produced by Chuck Greif and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)</note>
  <note>Original publication data not identified</note>
  <subject>
    <topic>England -- Social life and customs -- 19th century -- Fiction</topic>
  </subject>
  <subject>
    <topic>Young women -- Fiction</topic>
  </subject>
  <subject>
    <topic>Domestic fiction</topic>
  </subject>
  <subject>
    <topic>Cousins -- Fiction</topic>
  </subject>
  <subject>
    <topic>Triangles (Interpersonal relations) -- Fiction</topic>
  </subject>
  <classification authority="lcc">PR</classification>
  <relatedItem type="original">
    <note>Original publication data not identified</note>
  </relatedItem>
  <identifier type="uri">https://www.gutenberg.org/ebooks/41917</identifier>
  <location>
    <url>https://www.gutenberg.org/ebooks/41917</url>
  </location>
  <recordInfo>
    <recordContentSource authority="marcorg">UtSlPG</recordContentSource>
    <recordCreationDate encoding="marc">260607</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260610133946.0</recordChangeDate>
    <recordIdentifier source="UtSlPG">41917</recordIdentifier>
  </recordInfo>
</mods>
