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  <titleInfo>
    <title>Memlinc</title>
  </titleInfo>
  <name type="personal">
    <namePart>Weale, W. H. James (William Henry James)</namePart>
    <namePart type="date">1832-1917</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Weale, J. Cyril M. (James Cyril M.)</namePart>
  </name>
  <name type="personal">
    <namePart>Hare, T. Leman (Thomas Leman)</namePart>
    <namePart type="date">1872-1935</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">utu</placeTerm>
    </place>
    <dateIssued encoding="marc">2013</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">en</languageTerm>
  </language>
  <physicalDescription>
    <extent>1 online resource : multiple file formats</extent>
  </physicalDescription>
  <abstract>"Memlinc" by W. H. James Weale and J. Cyril M. Weale is a comprehensive historical account written in the early 20th century that explores the life and works of the painter Hans Memlinc (circa 1425-1494). The book delves into Memlinc's artistic career, contextualizing it within the rich cultural backdrop of Bruges during the height of its economic and artistic flourishing. It provides an overview of his significant contributions to the art world and his unique style, reflecting the spiritual and emotional depth characteristic of the Northern Renaissance.  The text chronicles Memlinc's early life, training, and the evolution of his art, highlighting masterpieces such as the "Shrine of Saint Ursula" and various altarpieces. The authors provide detailed analyses of Memlinc's works, examining themes and techniques that define his artistic legacy. Additionally, they discuss the broader socio-political environment of Bruges during Memlinc's lifetime, illustrating how this impacted his career. Ultimately, the book serves both as a biography and a critical appraisal of Memlinc's significance in the history of art, asserting the enduring value of his contributions even amidst the eventual decline of Bruges. (This is an automatically generated summary.)</abstract>
  <note>Release date is 2013-06-04</note>
  <note>Produced by sp1nd, Matthew Wheaton and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)</note>
  <note>Original publication data not identified</note>
  <subject>
    <topic>Memling, Hans, 1430?-1494</topic>
  </subject>
  <classification authority="lcc">ND</classification>
  <relatedItem type="original">
    <note>Original publication data not identified</note>
  </relatedItem>
  <relatedItem type="series">
    <titleInfo>
      <title>Masterpieces in Colour</title>
    </titleInfo>
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  <identifier type="uri">https://www.gutenberg.org/ebooks/42876</identifier>
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    <recordIdentifier source="UtSlPG">42876</recordIdentifier>
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