<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <title>Donna Teresa</title>
  </titleInfo>
  <name type="personal">
    <namePart>Peard, Frances Mary</namePart>
    <namePart type="date">1835-1923</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">utu</placeTerm>
    </place>
    <dateIssued encoding="marc">2013</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">en</languageTerm>
  </language>
  <physicalDescription>
    <extent>1 online resource : multiple file formats</extent>
  </physicalDescription>
  <abstract>"Donna Teresa" by Frances Mary Peard is a novel written in the late 19th century. The story centers around Donna Teresa, a young widow navigating life in Rome after leaving a stifling marriage. She experiences newfound freedom, eagerly engaging with her surroundings and forming plans for her future while grappling with the conflicting emotions of her past, including a sense of guilt and social expectations.  The opening of "Donna Teresa" introduces us to the setting of Rome during a sirocco, as Teresa and her sister Sylvia walk through the streets, revealing a stark contrast between their characters. Teresa's vibrant spirit shines as she delights in the little things around her, showcasing her energetic nature. In contrast, her sister Sylvia appears reserved and timid. Shortly after entering a church, Teresa experiences a theft that leads her to confront a young man named Cesare, who is embroiled in a larger social and personal tragedy that piques Teresa's interest and compassion. This encounter sets the stage for a deeper exploration of societal judgments and personal redemption, while the contrasting dynamics between the sisters capture the nuances of sisterly love and familial duty. (This is an automatically generated summary.)</abstract>
  <note>Release date is 2013-07-08</note>
  <note>Produced by Nick Hodson of London, England</note>
  <note>Original publication data not identified</note>
  <subject>
    <topic>Sisters -- Fiction</topic>
  </subject>
  <subject>
    <topic>Triangles (Interpersonal relations) -- Fiction</topic>
  </subject>
  <subject>
    <topic>British -- Italy -- Fiction</topic>
  </subject>
  <subject>
    <topic>Man-woman relationships -- Fiction</topic>
  </subject>
  <classification authority="lcc">PR</classification>
  <relatedItem type="original">
    <note>Original publication data not identified</note>
  </relatedItem>
  <identifier type="uri">https://www.gutenberg.org/ebooks/43153</identifier>
  <location>
    <url>https://www.gutenberg.org/ebooks/43153</url>
  </location>
  <recordInfo>
    <recordContentSource authority="marcorg">UtSlPG</recordContentSource>
    <recordCreationDate encoding="marc">260607</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260610134005.0</recordChangeDate>
    <recordIdentifier source="UtSlPG">43153</recordIdentifier>
  </recordInfo>
</mods>
