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    <subfield code="a">Williams, Alfred M.</subfield>
    <subfield code="q">(Alfred Mason),</subfield>
    <subfield code="d">1840-1896</subfield>
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    <subfield code="a">Studies in Folk-Song and Popular Poetry</subfield>
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    <subfield code="a">Salt Lake City, UT :</subfield>
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    <subfield code="c">2014</subfield>
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    <subfield code="a">Release date is 2014-03-31</subfield>
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    <subfield code="a">American sea songs -- Folk-songs of the Civil War -- English and Scottish popular ballads -- Lady Nairne and her songs -- Sir Samuel Ferguson and Celtic poetry -- William Thom, the weaver poet -- Folk-songs of lower Brittany -- The folk-songs of Poitou -- Some ancient Portuguese ballads -- Hungarian folk-songs -- Folk-songs of Roumania.</subfield>
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    <subfield code="a">Produced by David Widger from page images generously
provided by the Internet Archive</subfield>
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    <subfield code="a">"Studies in Folk-Song and Popular Poetry" by Alfred M. Williams is a scholarly examination of folk songs and poetry, written in the late 19th century. This collection presents a study of the significance, history, and character of folk songs across cultures, particularly focusing on those from English-speaking societies. The book delves into the evolution and essence of these musical traditions, offering insights that appeal to both folklorists and general readers fascinated by the emotional depth and cultural narratives embedded in folk music.  At the start of the text, Williams establishes the framework for his exploration of folk songs, emphasizing their importance as a cultural artifact reflective of human experience. The preface outlines the shift in perception surrounding folk studies, recognizing them as serious subjects worthy of academic inquiry. He introduces themes such as the unique expression of sentiment through sea shanties, highlighting their improvisational nature and connection to the maritime experience. Williams sets the stage for a nuanced discussion on how these songs convey the joys and sorrows of daily life, drawing on specific examples to illustrate the deep ties between music and cultural identity. (This is an automatically generated summary.)</subfield>
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    <subfield code="a">Folk songs -- History and criticism</subfield>
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    <subfield code="a">Clodd, Edward,</subfield>
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