02329cam a22003133u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000070011910000490012624500500017526400510022530000470027633600260032333700260034933800360037550000310041150802040044252012450064653400450189165300190193685600430195599900170199845714UtSlPG20260610134041.0mcr n260607r2014||||utu|||||o|||||||||||||| d  a14013243  aUtSlPG 7aen2iso639-1 4aTR1 aTalbot, Frederick Arthur Ambrose,d1880-192410aPractical Cinematography and Its Applications 1aSalt Lake City, UT :bProject Gutenberg,c2014  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2014-05-21  aE-text prepared by Chris Curnow, Paul Mitchell, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org)  a"Practical Cinematography and Its Applications" by Frederick Arthur Ambrose Talbot is a guidebook on the art of moving-picture photography written in the early 20th century. The book is aimed primarily at amateur cinematographers and provides a comprehensive overview of the principles, techniques, and equipment involved in cinematography. It discusses various applications of cinematography, from wildlife filming to commercial productions, making it a valuable resource for anyone interested in the burgeoning world of film-making.  The opening of the book introduces the attractions and opportunities of cinematography, highlighting its growing popularity and potential for profit. Talbot explains that the art combines entertainment and technical skill, appealing to both amateurs and professionals alike. He emphasizes the importance of novelty and original content in attracting audiences, noting the role of independent cinematographers in capturing topical events that might be overlooked by established studios. The text sets the stage for the subsequent chapters, which delve deeper into the technical aspects of cinematography and the tools needed to succeed in this exciting field. (This is an automatically generated summary.)  nOriginal publication data not identified  aCinematography40uhttps://www.gutenberg.org/ebooks/45714  c86553d86553