02806cam a22003613u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000060010610000150011224503340012724600360046126400510049730000470054833600260059533700260062133800360064750000980068350000310078150801840081252012020099653400450219865300350224365300380227865300370231665300310235385600430238499900170242747837UtSlPG20260610134111.0mcr n260607r2015||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aQ1 aBate, John14aThe Mysteryes of Nature and Art :bConteined in foure severall Tretises, The first of water workes, The second of Fyer workes, The third of Drawing, Colouring, Painting, and Engraving, The fourth of divers Experiments, as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Practice, and Invention1 aThe Mysteries of Nature and Art 1aSalt Lake City, UT :bProject Gutenberg,c2015  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aWikipedia page about this book: https://en.wikipedia.org/wiki/The_Mysteryes_of_Nature_and_Art  aRelease date is 2015-01-01  aProduced by Chris Curnow and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)  a"The Mysteryes of Nature and Art" by John Bate is a scientific publication written in the early 17th century. This work explores various practical experiments and principles behind natural phenomena, divided into four treatises focusing on waterworks, fireworks, artistic techniques, and a collection of diverse experiments. The book is designed to be accessible, aiming to impart useful knowledge for artists, craftsmen, and curious readers, blending theoretical insights with practical applications.  At the start of the book, the author introduces the purpose of the treatise and outlines its structure, revealing that it is based on his own practices and collected knowledge. Bate mentions the four main sections: the first dedicated to waterworks, the second to fireworks, the third to artistic disciplines, and the fourth comprising various delightful experiments. He encourages readers to engage with the text, offering simple explanations rather than elaborate prose, and sets the stage for a journey through the intricate interplay of natural forces and human artistry, starting with experiments related to the movement and behavior of water. (This is an automatically generated summary.)  nOriginal publication data not identified  aScience -- Early works to 1800  aWaterworks -- Early works to 1800  aFireworks -- Early works to 1800  aArt -- Early works to 180040uhttps://www.gutenberg.org/ebooks/47837  c88676d88676