02816cam a22003373u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000330011324500410014626400510018730000470023833600260028533700260031133800360033750000310037350504390040450802210084352011920106453400450225665300640230165300340236570000190239985600430241899900170246150365UtSlPG20260610134146.0mcr n260607r2015||||utu|||||o|||||||||||||| d  aUtSlPG 7aes2iso639-1 4aPN1 aDarío, Rubén,d1867-191614aLos Raros :bObras Completas Vol. VI 1aSalt Lake City, UT :bProject Gutenberg,c2015  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2015-11-010 aPrólogo -- El arte en silencio -- Edgar Allan Poe -- Leconte de Lisle -- Paul Verlaine -- El conde Matías Augusto de Villiers de L’Isle Adam -- León Bloy -- Jean Richepin -- Jean Moreas -- Rachilde -- George d’Esparbés -- Augusto de Armas -- Laurent Tailhade -- Fra Domenico Cavalca -- Eduardo Dubus -- Teodoro Hannon -- El conde de Lautréamont -- Paul Adam -- Max Nordau -- Ibsen -- José Martí -- Eugenio de Castro.  aProduced by Josep Cols Canals, Chuck Greif and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)  a"Los Raros" by Rubén Darío is a collection of essays and critiques written in the late 19th to early 20th century. This work explores the Symbolist movement, particularly focusing on its impact in America as Darío sought to introduce this artistic style to his continent. Through his reflections on various poets and artists, he celebrates individualism, creativity, and the pursuit of beauty in art, providing a rich context for the literary influences of his time.  At the start of the collection, the author presents a prologue reflecting on the evolution of his thoughts over the past twelve years, during which he first encountered Symbolism in France. He acknowledges the passion and admiration he holds for artists like Edgar Allan Poe and Flaubert, while critiquing the prevailing literary trends he finds lacking in depth. The opening portion also discusses key figures in the Symbolist movement, emphasizing the duality of artistic genius against a backdrop of personal struggle, thus setting a tone that invites readers to delve deeper into the world of literary aesthetics and their practitioners as articulated by Darío. (This is an automatically generated summary.)  nOriginal publication data not identified  aLiterature, Modern -- 19th century -- History and criticism  aSymbolism (Literary movement)1 aOchoa, Enrique40uhttps://www.gutenberg.org/ebooks/50365  c91203d91203