02647cam a22003253u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000340011324500120014726400510015930000470021033600260025733700260028333800360030950000310034550503450037650802140072152011980093553400450213365300630217865300200224185600430226199900170230450594UtSlPG20260610134149.0mcr n260607r2015||||utu|||||o|||||||||||||| d  aUtSlPG 7afr2iso639-1 4aPQ1 aChevassu, Francis,d1861-191810aVisages 1aSalt Lake City, UT :bProject Gutenberg,c2015  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2015-12-020 aFrançois Coppée -- Jules Lemaître -- Anatole France -- Léon Bourgeois -- Paul Deschanel -- A. Naquet -- Paul Déroulède -- F. Brunetière -- Henri Lavedan -- Aurélien Scholl -- 272 Henri Rochefort -- Émile Ollivier -- Maurice Donnay -- Le Père Didon -- Monsieur Ranc -- Charles Bocher -- Quesnay de Beaurepaire -- Antoine.  aProduced by Clarity, Nicole Pasteur and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)  a"Visages" by Francis Chevassu is a collection of essays likely written in the early 20th century. The work appears to explore various character studies, reflecting a diverse array of human experiences and social conditions, possibly focusing on individuals encountered in Paris. Chevassu adopts the perspective of an observer, aiming to capture the essence of people through their faces and lives, blending elements of realism with a touch of personal interpretation.  The opening of "Visages" presents a preface in which the author justifies his approach to narrating character portraits as subjective impressions rather than critical analyses. He contrasts his method with more traditional critiques, explaining that he aims to depict individuals in their personal light, influenced by the surrounding societal context. Chevassu mentions his earlier work "Les Parisiens," indicating that this collection follows a similar theme but with a focus on the nuances of individual faces and their stories. The text sets the stage for an intimate journey through the lives and emotions of the characters that populate the author's Parisian observations. (This is an automatically generated summary.)  nOriginal publication data not identified  aFrench literature -- 19th century -- History and criticism  aAuthors, French40uhttps://www.gutenberg.org/ebooks/50594  c91432d91432