<?xml version="1.0" encoding="UTF-8"?>
<record
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd"
    xmlns="http://www.loc.gov/MARC21/slim">

  <leader>02930cam a22003493u 4500</leader>
  <controlfield tag="001">51685</controlfield>
  <controlfield tag="003">UtSlPG</controlfield>
  <controlfield tag="005">20260610134206.0</controlfield>
  <controlfield tag="006">m</controlfield>
  <controlfield tag="007">cr n</controlfield>
  <controlfield tag="008">260607r2016||||utu|||||o|||||||||||||| d</controlfield>
  <datafield tag="040" ind1=" " ind2=" ">
    <subfield code="a">UtSlPG</subfield>
  </datafield>
  <datafield tag="041" ind1=" " ind2="7">
    <subfield code="a">en</subfield>
    <subfield code="2">iso639-1</subfield>
  </datafield>
  <datafield tag="050" ind1=" " ind2="4">
    <subfield code="a">AS</subfield>
    <subfield code="a">LD</subfield>
  </datafield>
  <datafield tag="100" ind1="1" ind2=" ">
    <subfield code="a">Croissant, De Witt Clinton,</subfield>
    <subfield code="d">1876-1941</subfield>
  </datafield>
  <datafield tag="245" ind1="1" ind2="0">
    <subfield code="a">Humanistic Studies of the University of Kansas, Vol. 1</subfield>
  </datafield>
  <datafield tag="264" ind1=" " ind2="1">
    <subfield code="a">Salt Lake City, UT :</subfield>
    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2016</subfield>
  </datafield>
  <datafield tag="300" ind1=" " ind2=" ">
    <subfield code="a">1 online resource :</subfield>
    <subfield code="b">multiple file formats</subfield>
  </datafield>
  <datafield tag="336" ind1=" " ind2=" ">
    <subfield code="a">text</subfield>
    <subfield code="b">txt</subfield>
    <subfield code="2">rdacontent</subfield>
  </datafield>
  <datafield tag="337" ind1=" " ind2=" ">
    <subfield code="a">computer</subfield>
    <subfield code="b">c</subfield>
    <subfield code="2">rdamedia</subfield>
  </datafield>
  <datafield tag="338" ind1=" " ind2=" ">
    <subfield code="a">online resource</subfield>
    <subfield code="b">cr</subfield>
    <subfield code="2">rdacarrier</subfield>
  </datafield>
  <datafield tag="500" ind1=" " ind2=" ">
    <subfield code="a">Release date is 2016-04-07</subfield>
  </datafield>
  <datafield tag="505" ind1="0" ind2=" ">
    <subfield code="a">Studies in the work of Colley Cibber / De Witt C. Croissant -- Studies in Bergson&#x2019;s philosophy / Arthur Mitchell -- Browning and Italian art and artists / Pearl Hogrefe -- The semantics of -mentum, -bulum, and -culum / Edmund D. Cressman.</subfield>
  </datafield>
  <datafield tag="508" ind1=" " ind2=" ">
    <subfield code="a">Produced by Jonathan Ingram, Shirley McAleer and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)</subfield>
  </datafield>
  <datafield tag="520" ind1=" " ind2=" ">
    <subfield code="a">"Humanistic Studies of the University of Kansas, Vol. 1" by De Witt Clinton Croissant et al. is a scholarly publication produced in the early 20th century. This work primarily examines the contributions and significance of Colley Cibber, a prominent playwright and actor of the Restoration period, among other humanistic studies that explore various topics in literature and philosophy. The publication aims to provide a thorough assessment of Cibber's impact on English comedy and theater, offering insights into the evolution of sentimentality in comedic writing.  The opening of this volume introduces a study focusing on the life and works of Colley Cibber, emphasizing the misconceptions about his character and literary significance. It outlines Cibber's multifaceted career, which includes playwriting, acting, and adaptation, while arguing against the notion of his intellectual inferiority as perpetuated by contemporaries like Pope. The text sets out to reevaluate Cibber's role in the transition towards sentimental comedy, detailing his foundational contributions to the genre and discussing specific plays, such as his operas and comedies, that illustrate his inventive spirit and the prevailing theatrical trends of his time. Through this opening portion, readers gain a glimpse into a critical analysis that seeks to reclaim Cibber's legacy in the context of English literary history. (This is an automatically generated summary.)</subfield>
  </datafield>
  <datafield tag="534" ind1=" " ind2=" ">
    <subfield code="n">Original publication data not identified</subfield>
  </datafield>
  <datafield tag="653" ind1=" " ind2=" ">
    <subfield code="a">Humanities</subfield>
  </datafield>
  <datafield tag="700" ind1="1" ind2=" ">
    <subfield code="a">Cressman, Edmund Dresser,</subfield>
    <subfield code="d">1889-1958</subfield>
  </datafield>
  <datafield tag="700" ind1="1" ind2=" ">
    <subfield code="a">Hogrefe, Pearl,</subfield>
    <subfield code="d">1889-1977</subfield>
  </datafield>
  <datafield tag="700" ind1="1" ind2=" ">
    <subfield code="a">Mitchell, Arthur,</subfield>
    <subfield code="d">1872-1953</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2="0">
    <subfield code="u">https://www.gutenberg.org/ebooks/51685</subfield>
  </datafield>
  <datafield tag="999" ind1=" " ind2=" ">
    <subfield code="c">92519</subfield>
    <subfield code="d">92519</subfield>
  </datafield>
</record>
