TY  - BOOK
AU  - Péladan,Joséphin
AU  - Barbey d'Aurevilly,J.
TI  - L'art ochlocratique: salons de 1882 & de 1883
AV  - N 
PY  - 2016///
CY  - Salt Lake City, UT
PB  - Project Gutenberg
KW  - Salon (Exhibition : Paris, France) (1882)
KW  - Salon (Exhibition : Paris, France) (1883)
KW  - Art, French -- 19th century -- Exhibitions
N1  - Release date is 2016-06-09; Produced by Clarity, Pierre Lacaze and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries); Original publication data not identified
N2  - "L'art ochloctratique: salons de 1882 & de 1883" by Joséphin Péladan is a critical examination of contemporary art and aesthetics written in the late 19th century. The work reflects the author's views on the decline of artistic values in his time, opposing the materialism he perceives in modern art. Throughout the text, Péladan engages with various artistic movements and critiques key figures, emphasizing the spiritual and moral dimensions of art over mere technical skill.  The opening of the work sets a grand tone, as Péladan addresses a distinguished woman, Madame Clémentine H. Couve, expressing admiration and respect. He discusses the historical evolution of art, contrasting the glorified past of the Renaissance, where figures like the pope and artists thrived in a culture of beauty and meaning, with the present state of art, which he views as chaotic and lacking in depth. He laments the loss of spiritual ideals in contemporary artistic expressions, suggesting that true art must transcend material representation to convey profound truths. This introduction lays the groundwork for Péladan's further critiques and reflections on the exhibitions of 1882 and 1883, promising a thought-provoking exploration of artistic values. (This is an automatically generated summary.)
UR  - https://www.gutenberg.org/ebooks/52288
ER  -