02381cam a22003013u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000370011324501690015026400510031930000470037033600260041733700260044333800360046950000310050550801670053652012470070353400450195065300240199585600430201999900170206254759UtSlPG20260610134249.0mcr n260607r2017||||utu|||||o|||||||||||||| d  aUtSlPG 7ade2iso639-1 4aND1 aJaennicke, Friedrich,d1831-190710aHandbuch der Aquarellmalerei :bNach dem heutigen Standpunkte und mit vorzüglicher Anwendung auf Landschaft und Architektur nebst einem Anhange über Holzmalerei 1aSalt Lake City, UT :bProject Gutenberg,c2017  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2017-05-22  aProduced by the Online Distributed Proofreading Team at
http://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive)  a"Handbuch der Aquarellmalerei" by Friedrich Jaennicke is a instructional guide on watercolor painting written in the late 19th century. The book aims to assist amateur painters, particularly those who may not have access to experienced instructors, in mastering the techniques of landscape and architectural watercolor painting. Its content is derived from the author’s long-standing practice and observations, making it a practical resource for aspiring artists.  The opening of the work sets the stage by explaining the author's motivation for writing the manual, citing a lack of comprehensive literature on watercolor techniques in the German language. Jännicke reflects on his own formative experiences while learning, outlining the common pitfalls faced by beginners. He stresses the importance of practical experience and engagement with nature, advocating for studying various effects of light and atmosphere through direct observation, rather than relying solely on copying existing color impressions. The author also hints at the resource's dual focus on both technique and color theory, aimed at developing a deeper understanding of watercolor's unique capabilities and challenges. (This is an automatically generated summary.)  nOriginal publication data not identified  aWatercolor painting40uhttps://www.gutenberg.org/ebooks/54759  c95591d95591