02583cam a22003133u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000070011910000410012624502000016724600280036726400510039530000470044633600260049333700260051933800360054550000310058150801980061252013540081053400450216465300170220985600430222656738UtSlPG20260610134316.0mcr n260607r2018||||utu|||||o|||||||||||||| d  a02029049  aUtSlPG 7aen2iso639-1 4aTT1 aJennings, Arthur Seymour,d1860-192810aPaint & Colour Mixing :bA practical handbook for painters, decorators and all who have to mix colours, containing 72 samples of paint of various colours, including the principal graining grounds1 aPaint and Colour Mixing 1aSalt Lake City, UT :bProject Gutenberg,c2018  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2018-03-14  aProduced by Chris Curnow, Harry Lamé and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)  a"Paint & Colour Mixing" by Arthur Seymour Jennings is a practical handbook for painters, decorators, and anyone interested in the art of mixing colors, likely written in the early 20th century. The book claims to directly and efficiently provide practical applications of color mixing without delving deeply into theoretical aspects, aiming instead to serve as a useful guide for those who do not wish to study color theory in depth. Jennings organizes the content into various chapters that address the composition of paints, methods for mixing colors, and recipes for creating a range of different hues.  The beginning of this handbook introduces the essential components of paint, explaining that paint consists of pigments, oil, turpentine, and driers, while outlining the purpose of paint in both preserving surfaces and providing decorative color. Jennings emphasizes the importance of using quality materials and provides guidelines for mixing specific colors to achieve desired shades, as well as practical tips for testing color mixtures. The text underscores the variability and subjectivity of color names and mixtures, suggesting that this book will act as a resource for those needing practical guidance in color mixing and the nuances involved in preparing paints for various applications. (This is an automatically generated summary.)  nOriginal publication data not identified  aPaint mixing40uhttps://www.gutenberg.org/ebooks/56738