02544cam a22003373u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000330011324500600014626400510020630000470025733600260030433700260033033800360035650000310039250501360042350801870055952012420074653400450198865300350203370000310206870000470209985600430214699900170218957385UtSlPG20260610134325.0mcr n260607r2018||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aPR1 aHazlitt, William,d1778-183014aThe collected works of William Hazlitt, Vol. 09 (of 12) 1aSalt Lake City, UT :bProject Gutenberg,c2018  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2018-06-240 aThe principal picture-galleries in England -- Notes of a journey through France and Italy -- Miscellaneous essays on the fine arts.  aProduced by Richard Tonsing and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)  a"The Collected Works of William Hazlitt, Vol. 09 (of 12)" by William Hazlitt is a compilation of essays on fine arts written in the early 19th century. This volume primarily explores various picture galleries in England and includes Hazlitt's notes on a journey through France and Italy, as well as miscellaneous essays on art. The book serves to illuminate Hazlitt's deep appreciation and critique of visual art, underlining his philosophical reflections on beauty and aesthetics.  The opening of this volume presents an engaging introduction to Hazlitt's exploration of the principal picture galleries in England, starting with Mr. Angerstein’s collection. As Hazlitt describes the atmosphere and allure of art, he expresses admiration for the intrinsic value of genuine works over mere reproductions. The opening chapter invites readers into a contemplative space, where the emotional resonance triggered by art allows for an escape from mundane concerns. Hazlitt reflects on his personal experiences with notable artworks, emphasizing how these pieces captivate the viewer’s imagination and evoke profound feelings, establishing a connection between the observer and timeless beauty. (This is an automatically generated summary.)  nOriginal publication data not identified  aEnglish essays -- 19th century1 aGlover, Arnold,d1865-19051 aWaller, A. R.q(Alfred Rayney),d1867-192240uhttps://www.gutenberg.org/ebooks/57385  c98216d98216