<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <nonSort>La </nonSort>
    <title>Caravana Pasa</title>
    <subTitle>Obras Completas Vol. I</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Darío, Rubén</namePart>
    <namePart type="date">1867-1916</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Ghiraldo, Alberto</namePart>
    <namePart type="date">1874-1946</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">utu</placeTerm>
    </place>
    <dateIssued encoding="marc">2018</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">es</languageTerm>
  </language>
  <physicalDescription>
    <extent>1 online resource : multiple file formats</extent>
  </physicalDescription>
  <abstract>"La Caravana Pasa" by Rubén Darío is a literary work that likely resembles a collection of essays or prose poetry written in the early 20th century. The text explores themes of art, culture, and society, particularly in relation to the author's reflections on music and the artistic landscape of his time. Darío delves into the lives of wandering musicians and the cultural milieu that surrounds them, reflecting on the contrasts of beauty and the darker, often harsh realities of urban life.  At the start of the work, the narrative vividly describes the return of street musicians with the arrival of spring, highlighting the joy they bring through their songs. The atmosphere captures the essence of urban life where music can temporarily lift spirits, even amidst the city's threats. The opening sets a tone of celebration for the arts while simultaneously hinting at the social issues that linger beneath the surface, creating a commentary on the relationship between artistic expression and the struggles inherent in society. Overall, it serves as an introduction to a deeper exploration of beauty and sorrow interwoven in everyday life. (This is an automatically generated summary.)</abstract>
  <note>Release date is 2018-11-29</note>
  <note>Produced by Josep Cols Canals, Carlo Traverso, Carlos Colón
and the Online Distributed Proofreading Team at
http://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive/Canadian
Libraries)</note>
  <note>Original publication data not identified</note>
  <subject>
    <topic>Nicaraguan literature</topic>
  </subject>
  <classification authority="lcc">PQ</classification>
  <relatedItem type="original">
    <note>Original publication data not identified</note>
  </relatedItem>
  <identifier type="uri">https://www.gutenberg.org/ebooks/58375</identifier>
  <location>
    <url>https://www.gutenberg.org/ebooks/58375</url>
  </location>
  <recordInfo>
    <recordContentSource authority="marcorg">UtSlPG</recordContentSource>
    <recordCreationDate encoding="marc">260607</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260610134338.0</recordChangeDate>
    <recordIdentifier source="UtSlPG">58375</recordIdentifier>
  </recordInfo>
</mods>
