02527cam a22003493u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000620011324500460017526400510022130000470027233600260031933700260034533800360037149000370040750000310044450801970047552012960067253400450196865300260201365300190203965300220205883000370208085600430211799900170216059168UtSlPG20260610134349.0mcr n260607r2019||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aNA1 aCust, Robert H. Hobartq(Robert Henry Hobart),d1861-194014aThe Pavement Masters of Siena (1369-1562) 1aSalt Lake City, UT :bProject Gutenberg,c2019  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aHandbooks of the great craftsmen  aRelease date is 2019-03-31  aProduced by deaurider, Charlie Howard, and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive  a"The Pavement Masters of Siena (1369–1562)" by Robert H. Hobart Cust is a historical account written in the early 20th century. The book presents a detailed examination of the intricate floor designs and the skilled artisans who created the remarkable pavement found in Siena's Duomo (Cathedral). It sheds light on the historical context and significance of the pavement, addressing the various artisans responsible for its designs and highlighting their contributions.  The opening of the work establishes the premise by introducing the multifaceted nature of the Cathedral's pavement, countering the idea that the focus should solely be on the artisans themselves. Instead, it emphasizes the necessity of understanding the pavement as a central element of their legacy, offering appreciation for the artists, such as Pietro del Minella and Antonio Federighi, whose names may be less familiar to contemporary audiences. From the outset, the narrative intertwines documentation, artistic analysis, and anecdotal references to illustrate the rich tapestry of Sienese culture from the 14th to the 16th century, setting the stage for a deeper exploration of both the craftsmanship and the historical landmarks outlined in the subsequent chapters. (This is an automatically generated summary.)  nOriginal publication data not identified  aArt -- Italy -- Siena  aDuomo di Siena  aPavements, Mosaic 0aHandbooks of the great craftsmen40uhttps://www.gutenberg.org/ebooks/59168  c99994d99994