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Mettisen sunnuntai

Por: Tipo de material: TextoIdioma: fi Editor: Salt Lake City, UT : Project Gutenberg, 2026Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PH
Recursos en línea: Créditos de producción:
  • Tuula Temonen
Resumen: Mettisen sunnuntai by Roine Bertel is a collection of lyric poems written in the early 20th century. The book dwells on nature’s seasons, love’s longing, and quiet meditations on time, faith, and the human condition. Across five sections, the poems move from spring’s awakening and playful pastoral scenes to summer’s ripeness and desire, then into the hush of night where doubt, cold, and solitude surface. Early pieces linger on bluebells, clouds, moonlit roses, and the ache of youth; others turn intimate and urgent, voicing passion, distance, and disappointment. Midway, nocturnal poems listen for what daylight hides, while reflective pieces invoke figures like Diogenes, a blind horse straining for freedom, the desert’s Jericho rose, and a northern Madonna to weigh humility, suffering, and hope. The closing sea-journey poem sets a course for freer waters, ending with a yearning for wider horizons and tempered rest. (This is an automatically generated summary.)
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Release date is 2026-05-10

Tuula Temonen

Mettisen sunnuntai by Roine Bertel is a collection of lyric poems written in the early 20th century. The book dwells on nature’s seasons, love’s longing, and quiet meditations on time, faith, and the human condition.

Across five sections, the poems move from spring’s awakening and playful pastoral scenes to summer’s ripeness and desire, then into the hush of night where doubt, cold, and solitude surface. Early pieces linger on bluebells, clouds, moonlit roses, and the ache of youth; others turn intimate and urgent, voicing passion, distance, and disappointment. Midway, nocturnal poems listen for what daylight hides, while reflective pieces invoke figures like Diogenes, a blind horse straining for freedom, the desert’s Jericho rose, and a northern Madonna to weigh humility, suffering, and hope. The closing sea-journey poem sets a course for freer waters, ending with a yearning for wider horizons and tempered rest. (This is an automatically generated summary.)

Originally published: Helsinki: Kustannusosakeyhtiö Otava, 1930

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