000 02245cam a22003253u 4500
001 60699
003 UtSlPG
005 20260610134411.0
006 m
007 cr n
008 260607r2019||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _ade
_2iso639-1
050 4 _aPT
100 1 _aHauff, Wilhelm,
_d1802-1827
245 1 0 _aWilhelm Hauffs sämtliche Werke in sechs Bänden. Bd. 2
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2019
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2019-11-16
505 0 _aDas Bild des Kaisers -- Die letzten Ritter von Marienburg -- Die Sängerin -- Phantasien im Bremer Ratskeller.
508 _aProduced by The Online Distributed Proofreading Team at http://www.pgdp.net
520 _a"Wilhelm Hauffs sämtliche Werke in sechs Bänden. Bd. 2" by Wilhelm Hauff is a collection of novellas written in the early 19th century. The second volume features a variety of stories, including "Das Bild des Kaisers" and "Phantasien im Bremer Ratskeller." The work likely delves into themes of human experience and cultural observations, showcasing characters from different backgrounds, especially focusing on their interactions and perceptions of one another. The opening of the collection introduces two young men traveling in a cabriolet from Frankfurt to Stuttgart. One is an eager visitor from Brandenburg, who grapples with preconceptions about the Swabian people, while the other, a local dressed in a hunting outfit, shares his insights about regional customs and societal dynamics. Their conversation unfolds layers of regional stereotypes and personal connections, culminating in the realization of the rich beauty and culture of the Swabian lands. This initial exchange sets a foundation for exploring deeper character dynamics and themes of identity in Hauff's narratives. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aGerman literature -- 19th century
700 1 _aWeile, Alfred
856 4 0 _uhttps://www.gutenberg.org/ebooks/60699
999 _c101525
_d101525