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010 _a23010374
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPR
100 1 _aHuxley, Aldous,
_d1894-1963
245 1 0 _aOn the Margin: Notes and Essays
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2019
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2019-12-07
505 0 _aCentenaries -- On re-reading 'Candide' -- Accidie -- Subject-matter of poetry -- Water music -- Pleasures -- Modern folk poetry -- Bibliophily -- Democratic art -- Accumulations -- On deviating into sense -- Polite conversation -- Nationality in love -- How the days draw in! -- Tibet -- Beauty in 1920 -- Great thoughts -- Advertisement -- Euphues redivivus -- The author of 'Eminent Victorians' -- Edward Thomas -- A Wordsworth anthology -- Verhaeren -- Edward Lear -- Sir Christopher Wren -- Ben Jonson -- Chaucer.
508 _aProduced by MFR, Nigel Blower and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)
520 _a"On the Margin: Notes and Essays" by Aldous Huxley is a collection of essays written in the early 20th century. The essays engage with a variety of cultural, literary, and philosophical topics, analyzing the nature of art, poetry, and the societal values of the time. Huxley’s distinct voice and critical perspective shine through as he reflects on established norms and challenges conventional wisdom. The opening of the text introduces Huxley’s reflections on his summer spent along the Italian coast, where he meditates on the nature of celebrating poets like Percy Bysshe Shelley, particularly in light of centenary commemorations. Huxley critiques the trend of honoring deceased authors with overly sentimental celebrations that, in his view, diminish their radical spirit and relevance. He compares the Italian celebration of Dante’s death with English traditions, suggesting that the former retains a sense of vibrancy and life, while the latter risks reducing great poets to mere figures of reverence, effectively fossilizing their legacies. This introductory essay sets the tone for the subsequent pieces, blending personal narrative with cultural critique. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aEnglish essays -- 20th century
856 4 0 _uhttps://www.gutenberg.org/ebooks/60866
999 _c101692
_d101692