000 02756cam a22003373u 4500
001 60985
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006 m
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010 _a17013756
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aAE
100 1 _aWright, Willard Huntington,
_d1888-1939
245 1 0 _aMisinforming a Nation
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2019
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aCriticism of the Encyclopædia Britannica.
500 _aRelease date is 2019-12-20
505 0 _aColonizing America -- The novel -- The drama -- Poetry -- British painting -- Non-British painting -- Music -- Science -- Inventions, photography, æsthetics -- Philosophy -- Religion -- Two hundred omissions.
508 _aProduced by WebRover, MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520 _a"Misinforming a Nation" by Willard Huntington Wright is an analytical critique written in the early 20th century. The work focuses on the pervasive influence of British cultural dominance in American intellectual life, particularly in the realms of art, literature, and education. Wright argues that the misinterpretation and derision of American achievements by British critics have led to a cultural inferiority complex among Americans, thereby stifling their individual expression and appreciation of native accomplishments. The opening of the text sets the stage for Wright's exploration by detailing the long-standing intellectual colonization of America by England. He discusses how British authorities have used their cultural superiority to belittle American creativity and impose a biased worldview through educational institutions and reference works like the "Encyclopaedia Britannica". By highlighting specific instances of underrepresentation and mischaracterization of American and other non-British cultural figures, Wright contends that the colonization of the American mind by British standards poses a significant barrier to national intellectual advancement. This foundational argument serves as a critical launching point for a deeper investigation throughout the book into various artistic spheres, including literature, drama, poetry, and philosophy. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aEncyclopaedia Britannica
856 4 0 _uhttps://www.gutenberg.org/ebooks/60985
999 _c101811
_d101811