000 02216cam a22003133u 4500
001 62579
003 UtSlPG
005 20260610134437.0
006 m
007 cr n
008 260607r2020||||utu|||||o|||||||||||||| d
010 _a41031344
040 _aUtSlPG
041 7 _ait
_2iso639-1
050 4 _aBT
100 1 _aGraf, Arturo,
_d1848-1913
245 1 3 _aIl Diavolo
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2020
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2020-07-07
508 _aProduced by Carlo Traverso, Barbara Magni and the Distributed Proofreading team at DP-test Italia, http://dp-test.dm.unipi.it (This file was produced from images generously made available by The Internet Archive)
520 _a"Il Diavolo" by Arturo Graf is a philosophical treatise written in the late 19th century. This work explores the concept of the devil, drawing from various myths, legends, and theological interpretations. Graf examines the evolution of the figure of Satan from its origins in ancient religions to its representation in Christianity, offering insight into humanity's fear and fascination with evil. At the start of the text, the author dedicates his work to fellow writer Edmondo De Amicis and outlines his intent to present a more accessible version of the devil's lore than what is typically found in academic or scholarly texts. Graf discusses significant themes surrounding the evolution of the devil's image, touching on myths from different cultures that depict the devil as both a fallen angel and a primal force of evil. The opening sets the stage for a deeper exploration into the origins and manifestations of the devil across various beliefs, indicating that the subsequent chapters will delve into historical, psychological, and moral dimensions of the devil's representation throughout different eras. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aDevil -- Christianity
856 4 0 _uhttps://www.gutenberg.org/ebooks/62579
999 _c103403
_d103403