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001			62987
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006			m
007			cr n
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040			_aUtSlPG
041		7	_ait _2iso639-1
050		4	_aML
100	1		_aUntersteiner, Alfredo, _d1859-1918
245	1	0	_aStoria della musica
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2020
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2020-08-20
505	0		_aIntroduzione -- La musica dei Greci -- I primi secoli dell'Era cristiana -- I primordi dell'armonia: Ubaldo e Guido d'Arezzo -- La musica mensurale ed i precursori dei Fiamminghi -- I Fiamminghi -- Le canzoni popolari: Trovatori e Minnesänger -- L'«Ars nova» fiorentina ed il Rinascimento musicale in Italia -- Misteri e Passioni: Origine dell'opera -- Claudio Monteverdi e l'opera veneziana e napolitana -- L'opera francese, tedesca ed inglese -- Martin Lutero e la musica protestante: Bach e Händel -- La musica monodica da camera e l'arte del canto fino al sec. XIX: Teatri e decorazioni -- La musica istrumentale prima del secolo XIX -- Gluck e la riforma dell'opera -- Haydn; Mozart; Beethoven -- L'opera romantica e la grand'opera francese -- Gioachino Rossini e l'opera italiana del secolo XIX -- Francesco Schubert ed i romantici -- I rivoluzionari dell'arte -- Scuole nazionali -- La musica italiana, francese e tedesca dei nostri giorni -- L'ora presente -- Cantanti, virtuosi e scrittori di cose musicali.
508			_aProduced by Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images made available by The Internet Archive)
520			_a"Storia della musica" by Alfredo Untersteiner is a historical account written in the early 20th century. The work explores the evolution of music from ancient times through various cultural influences and key figures, examining both the theoretical and practical aspects of music's development throughout history. The opening of the book sets the stage for an in-depth examination of music's origins, comparing the complexities of studying music to understanding language. Untersteiner introduces the idea that music is an intrinsic part of human expression, more instinctive than verbal communication. He asserts that while early musical forms were likely intertwined with spiritual and religious practices, the absence of substantial historical documents makes it challenging to understand ancient music fully. The text begins to delve into the music of various ancient civilizations, including the Greeks and the Egyptians, establishing a foundation for the further exploration of music's progression in society. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aMusic -- History and criticism
856	4	0	_uhttps://www.gutenberg.org/ebooks/62987
999			_c103811 _d103811