000 02897cam a22003133u 4500
001 63129
003 UtSlPG
005 20260610134444.0
006 m
007 cr n
008 260607r2020||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _afr
_2iso639-1
050 4 _aND
100 1 _aBlanche, Jacques-Émile,
_d1861-1942
245 1 0 _aPropos de peintre, deuxième série: Dates :
_bPrécédé d'une Réponse à la Préface de M. Marcel Proust au De David à Degas
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2020
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2020-09-05
505 0 _aDédicace et portrait liminaire -- Jean-Louis Forain -- Frédérick Watts -- Les Dames de la Grande-Rue (Berthe Morisot) -- Décoration de la cathédrale de Vich, par M. José Maria Sert -- Cent portraits de femmes -- Un week-end et Oscar Wilde -- Un bilan artistique de la grande saison de Paris -- La Musique -- Autour de Parsifal -- D'un carnet de voyage 1913 -- Appendice: Le Salon de la Société Nationale des Beaux-Arts 1908. Notes sur le Salon d'Automne. Préface au Catalogue d'une Exposition de peintres de Venise. Lettres de J.-E. Blanche, Gabriel Mourey et Frantz Jourdain.
508 _aProduced by Clarity and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
520 _a"Propos de peintre, deuxième série: Dates" by Jacques-Émile Blanche is a collection of artistic reflections and critiques written in the early 20th century. The work delves into the world of painting and notable artists, offering insights into their styles and significance, while also engaging with contemporary artistic movements through the lens of the author's personal experiences and memories. At the start of the work, Blanche sets the stage with a dedication to Marcel Proust, indicating a strong interrelationship between their works. The opening portion consists of a conversational preface where Blanche reflects on the nuances of art critique and his views on various artists, including Jean-Louis Forain. He emphasizes the duality of being both a painter and a critic, highlighting his admiration for the complexities of art and the artists behind it. Blanche intertwines personal anecdotes with critical observations, pointing out how the contemporary perception of artists can shift over time, as he considers the legacy of figures like Degas and Manet in contrast to their lesser-known contemporaries. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aPainters
856 4 0 _uhttps://www.gutenberg.org/ebooks/63129
999 _c103953
_d103953