000			02152cam a22003133u 4500
001			63550
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005			20260610134449.0
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007			cr n
008			260607r2020||||utu|||||o|||||||||||||| d
010			_a16004396
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aGV
100	1		_aPerugini, Mark Edward, _d1876?-1948
245	1	4	_aThe Art of Ballet
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2020
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2020-10-25
508			_aE-text prepared by deaurider, Susan Carr, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org)
520			_a"The Art of Ballet" by Mark Edward Perugini is a historical account written in the early 20th century. The book explores the evolution of the art of ballet, particularly in France and England, emphasizing its development and significance over the centuries. It aims to provide a rich narrative that highlights the key milestones and figures in ballet history, tracing its roots and transformations without attempting to cover every detail from every country. The opening of the text serves as an introduction and preface to the detailed exploration that follows. Perugini discusses the nature of ballet as an art form, addressing criticisms and misconceptions. He emphasizes the historical significance of ballet, acknowledging that it has existed for around two thousand years and has been a source of aesthetic pleasure across cultures. Perugini also sets the stage for the examination of ballet's elements—dancing, miming, music, and scenic effects—highlighting their intertwined histories and contributions to what is recognized as professional ballet today. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aBallet
856	4	0	_uhttps://www.gutenberg.org/ebooks/63550
999			_c104374 _d104374