000			02791cam a22003133u 4500
001			63587
003			UtSlPG
005			20260610134450.0
006			m
007			cr n
008			260607r2020||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aes _2iso639-1
050		4	_aDP
100	1		_aUrbina, Luis G. _q(Luis Gonzaga), _d1864-1934
245	1	0	_aEstampas de viaje: España en los días de la guerra
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2020
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2020-10-31
505	0		_aIntroduccion -- Entre dos bahías -- El delirio de «Wall Street» -- Un minuto de Nueva York -- El peligro de los monitores y las noticias de a bordo -- Cádiz -- Gibraltar -- Barcelona la vieja -- Barcelona -- Barcelona se divierte -- En Barcelona -- En Madrid -- Una página de novela -- El Madrid del género chico -- Mendigos y guitarras. -- La ultima visita -- Valle-Inclán -- Alrededor de los asesinos -- La fiesta roja -- Los literatos españoles y los ruiseñores americanos -- En Madrid -- En Toledo.
508			_aChuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
520			_a"Estampas de viaje: España en los días de la guerra" by Luis G. Urbina is a travel narrative written in the early 20th century. The book recounts Urbina's personal reflections and experiences as a correspondent for a Cuban newspaper during his visit to Spain in the midst of World War I. It captures his observations of the Spanish culture, landscapes, and people, intertwined with the broader context of the war's emotional turmoil. The opening of the work introduces Urbina's arrival in Spain, where he expresses his awe and curiosity about the land and its people. He reflects on the contrast between his vibrant memories of Havana and the cold, mist-shrouded atmosphere of New York, which he describes as melancholic. As he navigates through feelings of admiration for Spain's historical beauty and concern for its present state during the war, the tone is both introspective and poetic. Urbina shares anecdotes and vivid imagery, hinting at the complex relationship between his homeland and Spain, along with the nostalgia and hopes he harbors for both places. This sets the stage for a rich exploration of Spain's cultural landscape during a turbulent time in history. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aSpain -- Description and travel
856	4	0	_uhttps://www.gutenberg.org/ebooks/63587
999			_c104411 _d104411