| 000 | 02405cam a22003493u 4500 | ||
|---|---|---|---|
| 001 | 64375 | ||
| 003 | UtSlPG | ||
| 005 | 20260610134501.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r2021||||utu|||||o|||||||||||||| d | ||
| 010 | _a01013183 | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_ade _2iso639-1 |
|
| 050 | 4 | _aND | |
| 100 | 1 |
_aRosenhagen, Hans, _d1858-1943 |
|
| 245 | 1 | 0 | _aLiebermann |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2021 |
|
| 300 |
_a1 online resource : _bmultiple file formats |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 490 | 1 | _aKünstler-Monographien, 45 | |
| 500 | _aRelease date is 2021-01-23 | ||
| 508 | _aPeter Becker, Reiner Ruf, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) | ||
| 520 | _a"Liebermann" by Hans Rosenhagen is a historical account written in the early 20th century. The work delves into the life and contributions of the German painter Max Liebermann, highlighting his significant role in the evolution of modern art. Rosenhagen examines Liebermann's artistic vision, particularly his focus on the natural beauty of everyday scenes and the human experience, set against the backdrop of the shifting aesthetic movements of the late 19th century. The opening of the book presents an in-depth exploration of Liebermann's formative years and early artistic influences. The author discusses Liebermann’s upbringing in Berlin, the challenges he faced in pursuing art against his father's wishes, and his eventual success and recognition. Key moments include his studies in Weimar and interactions with prominent artists that shaped his approach to naturalism. The text expresses the tension between Liebermann's pioneering style and the prevailing artistic standards of the time, establishing a foundation for understanding how his works, such as “Die Gänserupferinnen,” marked a departure from traditional aesthetics towards capturing the essence of reality. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aLiebermann, Max, 1847-1935 | ||
| 700 | 1 |
_aKnackfuss, H. _q(Hermann), _d1848-1915 |
|
| 830 | 0 | _aKünstler-Monographien, 45 | |
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/64375 |
| 999 |
_c105198 _d105198 |
||